• just_a_girl by Kirsten Krauth

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    "… straddles YA and adult literary fiction in the same way as Tim Winton's Breath … Layla's is a unique voice. A beautifully told story.” — Cameron Raynes

  • Kirsten Krauth

    Novelist. Blogger. Editor. My first novel just_a_girl just published. I blog on all things literary and filmy at Wild Colonial Girl

    "just_a_girl is a complex and timely novel, the first book by a strong writer who is not afraid to go to honest, dark places." 
    — Angela Meyer, LiteraryMinded blog

Home / Archive by Category "Varuna – Sydney Writers’ Festival"

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Communicating the incommunicable: celebrating the work of Richard Flanagan

Australian novelist Richard Flanagan wins the Man Booker Prize in 2014 for The Narrow Road to the Deep North

Through Richard Flanagan’s writing flows the destructive power of love, the lyricism of horror, the revisioning of Tasmania, and the gaps between words and action. High school dropout. Bush labourer. Rhodes scholar. River guide. Environmental activist. Film director. Man Booker prize winner. Indigenous Literacy Foundation ambassador. Whatever way you twist it, Richard Flanagan has had an unusual career. While Flanagan has often publicly stated that he believes writers should be separated from their defining adjectives, it’s hard to divorce him from Tasmanian. Given the tidal wave of support following his Booker Prize win in 2014, and the video of US President Barack Obama buying Flanagan’s book at a bookstore, former Tasmanian premier Paul Lennon may rue the day he said, “Richard Flanagan and his fiction…

Renovating and housekeeping

I'm your number one fan: getting Frog Music signed by Emma Donogue - LOVED Room.

I’ve been having a few teething problems since moving Wild Colonial Girl blog to her new home. All the content was sorted and then subscribers got left behind! So, apologies, and hope you are with me now… If the blog is emailed to you, it might now be coming from the very official sounding KirstenKrauth.com rather than Wild Colonial Girl, but I need to get that worked out too. Just a quick update on what’s been happening the past couple of weeks. I was thrilled to be guest-blogger at the Varuna/Sydney Writers’ Festival and covered the following sessions: Richard Flanagan on my fave novel of past years, The Narrow Road to the Deep North Emma Donoghue on her novels Room and Frog Music Felicity Castagna and me on…

“Hell is a half-filled auditorium”: Richard Flanagan at Varuna/Sydney Writers’ Festival

Richard Flanagan + Geordie Williamson, Varuna/Sydney Writers' Festival

Richard Flanagan started his session quoting Robert Frost, while peering out to see the Carrington packed to the rafters. After watching him again down Sydney Theatre-way, I doubt he’ll ever have to worry about empty seats again. The Narrow Road to the Deep North is my favourite book of recent years. Its scope, its compassion, its use of poetry, its melding of the Australian/Japanese view, its horror and love, its strange and cyclical stucture: I have it by my bed to dip into, trying to learn its secrets, as it helps me start on my second novel. Taking part in writer sessions recently has helped me realise the importance of choosing a good interviewer. Geordie Williamson is always sensitive and assured, and I love how he challenges Flanagan with…

Black and Blue: Blue Mountains’ stories – Varuna/Sydney Writers’ Festival

Ron Pretty hosts Black and Blue panel, Varuna/Sydney Writers' Festival, photo: Bette Mifsud

Coming from Castlemaine, a small town in regional Victoria, I can see how certain rural areas of Australia are starting to thrive, attracting artists, writers, filmmakers and musicians. But even so, creatives can often feel they work in isolation, stuck in a studio or cave somewhere, coming out occasionally to see the light. The Black and Blue exhibition in Katoomba, launched by local resident Tara Moss as part of the Varuna/Sydney Writers’ Festival, draws on Blue Mountains’ stories, bringing together writers and illustrators who live in the mountains. The early stages of the project involved a call-out to locals to submit stories they’d heard: rumours; truths; dark mutterings. Once on the table, there was a selection process and writers and illustrators were paired up for particular tales, free to interpret…

Tough love: Sally Piper & Annah Faulkner – Varuna/Sydney Writers’ Festival

Sally Piper + Annah Faulkner, Varuna/Sydney Writers' Festival. Photo: Bette Mifsud.

Annah Faulkner has the kind of eyes so sharp they seem to penetrate you to the bone. When talking about her novel The Beloved, you can imagine she is as gusty as the characters she speaks of. Sally Piper, a former nurse, has just released her debut novel Grace’s Table, and this is her first appearance at a festival. Annah talks about how love seems to have changed over the generations, how in the past love could be fierce, so fierce it was like fighting for survival. There can be a point for mothers where they want something so badly (for their child), they’re so fearful about what’s going to happen (to their child), that their love tips at a point into something else, into…

A room with a view + Emma Donoghue: Varuna/Sydney Writers’ Festival

Kate Fagan + Emma Donoghue at Varuna/Sydney Writers' Festival. Photo: Bette Mifsud.

Walking into Varuna (a residence for writers in Katoomba) from the road is like entering some kind of wonderland. It seems to be a place where you leave your baggage at the gate. I sleep in the Sewing Room, in a small wooden single bed with a patchwork quilt, and read and write here in the Green Room, with wall to wall library shelves, a huge desk, window views and a comfy chair to sit. Whenever I’m struggling for a metaphor to grab when describing writing and editing, I tend to go with the handicrafts. I do find my own method of putting a manuscript together works much like a hand-made patchwork quilt, writing the fragments and then piecing them together according to colour, texture, style….