Posts in My novel

Every holiday was father’s day: writing fathers + daughters at Clunes Booktown

At Clunes Booktown, I shared the stage with my dad for the first time (at my first festival) and we talked about writing fathers, writing daughters, creating unique voices (we both feature 14-year-old girls in our work), what our characters share, how we translate family stories into fiction, and whether our memories ever come at things from the same angle. It was a very moving session for both of us (perhaps more than the audience realised), a sharing of ideas, sad moments, and joys too.

Here are the edited highlights (thanks to Damon Girbon for the video and editing):

Dad (Nigel Krauth) is a writer who’s had many novels published, both for adults and YA audiences. He wrote a play Muse of Fire that was performed by the Adelaide Theatre Company and directed by Keith Gallasch (now the editor of RealTime, where I worked for many years). His first book, Matilda My Darling, won the Vogel Award, and since then his novels have gone on to win a number of awards, including the NSW Premier’s Award for JF Was Here.

Although my parents separated when I was young, I spent school hols with dad. Sleeping in his study, I saw the hard work involved in bringing fiction to life. I had no romantic ideals about being a writer. I thought it involved hard yakka, building words like bricks. My dad often seemed in a state of distraction or excitement about a breakthrough. I never really thought I would be a fiction writer, not until I was in my mid 30s and struggling with the world. A friend pointed out that I needed a creative project to survive it all. And she was right. I’m not sure dad was ever too keen on me being a writer. Perhaps one in the family is enough. Perhaps it came as a bit of a shock.

Sin Can Can: I’ve been to Bali too

SinCanCanCoverDad’s first YA book, Sin Can Can, was released when I was 14 and it was basically about me. My picture is on the front cover (have I changed that much?) riding on the back of a motorbike. Inside is a dedication to me. I was both thrilled and rolling my eyes when it was released. Dad came to boarding school (I got a scholarship, ok) and read it out to my class. I sat in the back with my head on the desk, proud and cringing at the same time. But  it was so funny and had that perfect Dolly pitch of the time. The voice is fresh, direct and dynamic, bringing to life many of my passions. I was obsessed with music, and boys of course. I loved junk food. I went to boarding school in Years 7 and 8. I found boarding school tough. A private person, I hated the open dorms where you had to sleep, the locks that didn’t work on the showers, the continual noise so I couldn’t read a book — and the rules, those bloody rules (having to wear a skirt to dinner, having to serve the older girls at dinner time). But the book reminds me of the good times and the lingo: tinned tomatoes known as ‘abortions’, the gardener who we all drooled over in his khaki shorts, the Alpines we pretended to smoke.

When research goes awry

The sequel to Sin Can Can was called I Thought You Kissed with Your Lips. It was banned in Queensland for its very erotic description of putting a condom on a cucumber. I think it was a cucumber. You don’t want teenagers learning how to put a condom on. No. Dad likes to do intense research. He’s almost like a method actor. He likes to go on location. Take on a role. Me? Not so much. I’m more into psychological studies. I begin by getting inside someone’s head. And the drama comes from there.

Nigel Krauth, serious writer shot
Nigel Krauth, serious writer shot

But one thing our books share is location; as writers (and characters) we are drawn to Surfers Paradise. It’s the contradictions that fascinate us both, and contradictions are what teenagers are all about. .

When I was researching just_a_girl, I found out more about teenage girls by listening and observing when they didn’t know it, rather than asking directly. When I was a teenager, even with liberal parents, even though I knew I wouldn’t get in trouble, I still didn’t share much. I was pretty sensible. I was the one cleaning up the vomit rather than the one paralytic. I was too hellbent on control to take drugs. I didn’t like inhaling so smoking and marijuana weren’t really my thing. I didn’t like the idea of snorting up my nose so coke was out. And injections? Not a chance in hell. Now I wonder how I can raise my kids to be like that? To be independent yet safe? But I have to admit defeat. I know I can’t really guarantee it. And it scares me. But I pretend to myself that I can find out what they’re doing on their iPads. Or whatever they’re using in ten years’ time.

There’s a fraction too much friction

Having a writer around, family members and friends need to be careful. When I was growing up, everything was ‘grist for the mill’. I knew that, but I still didn’t always welcome it. All writers collect material from everywhere, waiting for the right moment to add it to the mix – or the moment waits for us, which is how it seems to work for me. Dad is more cavalier about using other people’s stories in his own work, seeking to camouflage it in some way. When I use a story relayed by someone else, I tend to ask permission and show them the text; I feel more comfortable.

You can’t handle the truth!

just_a_girl by Kirsten KrauthOften people ask you which parts of the book are based on the truth. While this is a complex question that would take a PhD to answer, there are parts of just_a_girl where I have translated almost word for word something a family member or friend has told me. Often these are conversations I didn’t want to hear at the time, for example, my dad telling me about having a trip on hash, and wanting to strangle me when I was a baby (watch the clip).

When I was in my 20s, Dad contributed to a collection called Daughters and Fathers (edited by Carmel Bird), an essay, nonfiction. I had been happy to hide behind the disguise of fiction, but seeing myself represented in nonfiction was completely different. This felt like an expose. I was glad, this time, that dad sent me the final essay for approval before publication. Because there were things in the original that I didn’t want the world to know. As it is, it’s still pretty brutal. But through all his work I now see Dad’s drive for connection with me, his daughter. It was made clear to me at Clunes, but it’s something that I couldn’t see before.

But still, there are things I have always kept hidden from Dad, knowing he might use it one day. Perhaps Layla emerged out of that secretive side, exposing the darkness of teen life.

Fathers and daughters: shared meanings

My favourite part of the Clunes session was where Dad and I selected parts of each other’s work to read, that had transported us, represented us, made us laugh or cry.

Dad was brave for selecting the most emotional scene for him in just_a_girl, the case of the missing kittens. While I took a safer route in Sin Can Can, enjoying the comic yearnings of a teen desperate to escape her hippie parents.

And, finally, we agreed on many things throughout the conversation that surfaced at random: how writing comes from and through the body; how our work teases at power, politics and sexuality; and how choosing the right name for our characters is fundamental to getting our work going.

 

Bendigo Writers’ Festival: girls, grief, guts

On the radio oh oh

Kirsten Krauth + Jenny Valentish, Radio National's Life Matters, Bendigo Writers Festival
Kirsten Krauth + Jenny Valentish, Radio National’s Life Matters, Bendigo Writers’ Festival

The Bendigo Writers’ Festival kicked off with ABC Radio National’s live broadcast from the Banquet Room in the Capital theatre.

Fellow Castlemaine writer, editor and troublemaker Jenny Valentish joined me to talk with Natasha Mitchell (Life Matters), Michael Cathcart (Books and Arts Daily) and Fiona Parker (ABC Central Victoria) about girls growing up too fast and what it’s like to be a regional writer.

Both of us have ended up in Castlemaine via circuitous routes but she wins — Jenny’s from Slough, UK. (I vaguely remember The Office being set in Slough. Great claim to fame there.) Our novels Cherry Bomb and just_a_girl are quite eerie in their shared sensibility: teen girls moving through the world with irony, detachment and the desire for sexual conquest.

You can listen to the Radio National broadcast for more. The two-hour radio show was a real highlight, with local guests including Robyn Annear, who shared her art for shaping history into stories that come alive.

Girl, you’ll be a woman soon

Nicole Hayes, Kirsten Krauth, Jenny Valentish + convenor Julie Proudfoot, Girl You'll Be a Woman Soon, Bendigo Writers' Festival
Nicole Hayes, Kirsten Krauth, Jenny Valentish + convenor Julie Proudfoot, Girl You’ll Be a Woman Soon, Bendigo Writers’ Festival

I’ll let you in on a bit of a secret. It can be quite hard to get the powers that be to take teenage girls seriously, to consider them as the smart, complex, contradictory creatures that they are.

When you talk of Coming of Age you tend to think of Catcher in the Rye, the ‘universal’ story of growing up.

But what of teen girl voices? How do they fit into fiction aimed at adults? Or male-dominated worlds like football?

In this session, Jenny Valentish, Nicole Hayes and I talked of the Coming of Age novels that influenced us most including Puberty Blues and Are You There God, It’s Me Margaret? 

We spoke of writing sexuality, of our responsibility (or lack of) to readers and how our styles reflect where we come from.

Thanks to Mentone Mif who did a little summary of the session.

She’s a brick and I’m drowning slowly: The Neighbour

Kirsten Krauth + Julie Proudfoot, launch The Neighbour. Thanks to Klare Lanson for this post postmodern shot.
Kirsten Krauth + Julie Proudfoot, launch The Neighbour. Thanks to Klare Lanson for this post postmodern shot.

After having wonderful writers like Emily Maguire and Angela Meyer take me in hand and launch my book, it was exciting to be asked for the first time to launch someone else’s.

Julie Proudfoot is a Bendigo writer who I’ve enjoyed getting to know over the past year.

Her award-winning novella The Neighbour is a beautifully written contemporary novel about grief, responsibility and a man gradually disintegrating under pressure while a small child looks on.

At the launch, Julie spoke about her desire to trace mental illness, why she loves to write in Bendigo, how she seems to have the keys to men’s sheds and feels comfortable there, and cruelty to animals (and what it can reveal about character).

It’s great to see publishers like Seizure taking a punt on publishing novellas because I love how the shortened form can add extra intensity.

You can find out more about Julie at her blog Passages of Writing and read a review of The Neighbour by ANZ Lit Lovers.

Watching the detectives

Angela Savage, announced in the shortlist for the 2014 Ned Kelly awards.
Angela Savage, announced in the shortlist for the 2014 Ned Kelly awards.

I’m dreaming of festival panels that mix children’s illustrators with horror writers with rural romance aficionados. Why do crime fiction writers (or other genres for that matter) always have to be lumped together in the programming as if they can’t participate with the Serious Writer Writers?

Garry Disher made this point in the highly entertaining session with Michael Robotham and my good buddy Angela Savage.

They talked of writing crime set in Asia, what it’s like to tour in Germany with an actor who goes on the road translating for you (attracting a handy crowd) and how it can be a mistake to just make things up in a police procedural.

After the session, Garry Disher and Angela Savage were named in the shortlist for this year’s Ned Kelly awards (this is Angela’s third nomination for the three in her trilogy).

Free drinks and cheese platters led to a night on the town with crimesters Andrew Nette and Michael Robotham who regaled us with stories behind his 15 ghostwritten books.

But if I tell you any more I’ll have to kill you and then he’ll have to kill me.

*  *  *  *  *  *

Bendigo Writers’ Festival continues my love affair with regional festivals. There is something about wandering along the street dipping in and out.

My only struggle was the staggered times, meaning I missed out on many sessions before and after mine. Hopefully next year events will be at the same time, with a few minutes for a coffee and chat inbetween.

Other highlights included John Van Tiggelen, Sue Woolfe, Mandy Sayer, Matt Blackwood, Jane McCredie, Natasha Mitchell and Christie Nieman.

And good onya Rosemary Sorensen for programming more local writers into this year’s events and encouraging uni students to take part in the conversation too. It meant a vibrant and energetic mix of speakers and punters.

Pushing your own cart: marketing, social media and author platforms

Kirsten Krauth, Darrell Pitt + Kate Forsyth, Forest for the Trees seminar, Sydney Writers' Festival
Kirsten Krauth, Darrell Pitt + Kate Forsyth, Forest for the Trees seminar, Sydney Writers’ Festival

The second session I did at the Sydney Writers’ Festival (after Here and Now) was part of the NSW Writers’ Centre’s Forest for the Trees day-long seminar, where I spoke about being a published author with a small press, and how I’ve marketed just_a_girl since its release.

The audience was diverse: from those who had never used Twitter to those creating their own films for YouTube. You can hear the entire session here (and many others from the day including an interview with Bailey’s Women’s Prize for Fiction winner Eimear McBride).

Nicola O’Shea from ebookedit.com.au did a great summary of the session I did with renowned author Kate Forsyth and indie-turned-book-deal star Darrell Pitt.

MARKETING + PROMOTION STRATEGIES FOR INDIE AUTHORS

On 22 May, I attended NSW Writers’ Centre’s The Forest for the Trees event at the Sydney Writers’ Festival. All the sessions were excellent, but the one I found most useful for indie authors was Pushing Your Own Cart, about how authors promote their books and the tools they use.

The panel comprised Kate Forsyth (The Witches of Eileanan series, Bitter Greens, The Wild Girl, Dancing on Knives), representing the established, internationally published author; Kirsten Krauth (just_a_girl), representing the debut novelist published by a small press; and Darrell Pitt (The Firebird Mystery, Diary of a Teenage Superhero, The Doomsday Device) as the self-published author – whose success at selling his own books has led to an 8-book publishing deal with a traditional publisher.

Here are some of the strategies the panellists shared.

ESTABLISH AN ONLINE PRESENCE/AUTHOR PLATFORM 

Although Kate Forsyth, Kirsten Krauth and Darrell Pitt have had quite different publishing experiences, they all agreed on the crucial importance of establishing an online presence: ‘an author platform’ as Kirsten called it, so readers can find out more about the authors whose books they love. An online presence might take the form of an author website or a blog; or authors can connect with readers through social media tools such as Twitter, Facebook, Pinterest or Wattpad.

AUTHOR BLOG

Kirsten started writing her blog a long time before her novel came out and used it to establish and practise her writing voice and to build a community. Even though her original intention wasn’t to promote her book, she found that when the book came out, her blog followers were keen to buy and read it because they already had a connection with her. Kirsten also has a regular post called Friday Night Fictions where she interviews debut Australian novelists (traditionally published and self-published).

Kate uses her blog to ‘connect with kindred spirits’ – people who love reading and stories as much as she does – and tries to give them something through her blog rather than using it only as a promotional tool for her own books. She writes reviews of the books she reads each month, and if she particularly loves a book she’ll contact the author and do an interview with them on her blog.

Darrell has an author website, but he doesn’t have a blog. While he agrees that it’s important for authors to connect with their readers, he believes it’s even more important that authors spend the majority of their time writing books. He gave the example of a reader loving a writer’s work and going online to find more books by the same author; but if that author’s too busy self-promoting instead of writing, there aren’t any more books for the reader to buy. This ties in with the advice from many successful indie authors that volume is important for discoverability. It can be more effective to write several books in a series before you publish the first one, so you can offer readers follow-up titles in a short time frame, rather than whetting their appetite with one book and then keeping them waiting for more.

Kate also uses her blog to survey readers about what they like and dislike about her blog, and asks for suggestions about how to make it a better experience for them. She often makes changes based on her readers’ feedback. Some indie authors push this idea further still, asking blog followers for feedback on extracts from their books in progress and then incorporating that feedback into their work. That kind of to-and-fro communication between author and readers creates a strong sense of community, and has a greater chance of translating into sales once the book is published.

The blog tour is another fairly recent promotional activity, and one that’s used by traditional publishers as well as indie authors. Kate did a month-long blog tour for The Wild Girl, which required her to write 31 posts, which were then published one per day on a range of international blogs all with thousands of followers. It’s a great way of getting global coverage without the expense of a physical tour. If you’re an indie author writing in a particular genre, you’re probably already aware of bloggers who write or review in that genre; ask them if you can write a guest post about something related to the subject of your book, or the writing process, or the self-publishing process – again, it’s about sharing useful information rather than simply self-promoting. It’s hard work creating fresh content for a blog so most bloggers are likely to respond positively to your request, as long as it’s a good fit with their blog and readers.

USING SOCIAL MEDIA 

All three authors agreed that it’s important to find a happy balance between promoting your books and connecting with readers in a more general way: e.g. with writing tips, sharing information about other writers and their books, and even writing about unrelated topics that interest you. The same rule applies to Twitter; as Darrell said, ‘No one wants to be constantly sold to’.

Kirsten loves the immediacy of Twitter, and also the way it notifies you of mentions of your Twitter handle – that allows her to reply personally to anyone who tweets about her book. Kate uses Twitter to engage with her readers directly too, and also to tell them about courses she might be teaching or appearances at schools or in bookstores. She said she aims to get 20 new followers a week, by giving readers something or sharing information with them.

Kirsten Krauth's just_a_girl experiment on Pinterest
Kirsten Krauth’s just_a_girl experiment on Pinterest

Kate is a big fan of Pinterest, and uses it to share covers of her books from different countries. Kirsten set up a Pinterest page for the main character in just_a_girl, and likened using Pinterest to making a scrapbook or journal related to your books, their characters and landscapes.

Darrell talked about his experiences with Wattpad, which is a site where authors can upload their writing and get feedback from other writers and readers. Wattpad is especially good for YA fiction as its reading demographic is mainly teenagers. Darrell put his first two novels up on Wattpad for free and had over 50,000 readers per book, many of whom went on to buy his other books, proving the theory that offering some free material can be a good way to general follow-on sales.

A writer in the audience asked whether the three panellists used YouTube to engage with readers (YouTube is the second-most popular networking site after Facebook), which led to a discussion of book trailers: short video clips to promote the book, like a film trailer but usually much simpler – often using images and music to create atmosphere, and sometimes with a voiceover or a short interview with the author. Kate’s publishers produce trailers for her books and she uses them at schools talks and other events; while Darrell told us he’d made a trailer for his first self-published book, The Steampunk Detective. Kirsten asked the writer in the audience how she uses YouTube to promote her books, and she said she’s experimenting with some short videos of herself giving writing tips, with the aim of encouraging viewers to click through to her website and her books.

GOODREADS

GoodReads is a networking site where people share information and reviews about books they’ve read or want to read, which, as Kirsten said, makes it the perfect place for writers to connect with other people who love reading. Kirsten finds GoodReads useful for getting honest feedback about her book and also connecting with her readers.

PROMOTION IN THE REAL WORLD/OFFLINE PROMOTION

Kate’s publishers send out free advance reading copies of her books to booksellers and reviewers; and Kate often goes on book tours around Australia and also overseas, talking at festivals, other book-related events and schools.

Kirsten had already established contacts in the media through reviewing books for newspapers so was able to draw on those contacts when it came to getting her own book reviewed. Kirsten has also given talks at libraries and festivals, and commented on how important it is to say yes to all opportunities – and also not to prejudge your audience. She gave the example of a recent talk to an audience of older women: she thought they wouldn’t be all that interested in her book as it’s aimed at younger readers, but afterwards most of the women bought a copy, telling her they wanted to understand their granddaughters better and her book would help them do that.

For indie authors who might not have media contacts, it’s a good idea to start local: contact your local newspaper to let them know you’ve published a novel; talk to your library to see if they host author talks; if your book is for children or YA readers, ask around the schools in your area to see if there’s an opportunity to give a talk to their students.

Darrell recommended Toastmasters as a way of improving your public speaking skills before you stand up in front of an audience to talk about your book.

COVER, TITLE + PRICE

Before you start the marketing/promotion process, of course, you need a great product. Authors who are traditionally published often have minimal input into the final cover design but the cover is professionally produced and at no cost to the author. Kate said that she has a lot of input into her Australian covers, but not so much for the editions of her books published internationally and in translation.

I asked Kirsten about her cover experience after the session and she said she found it a wonderful process: ‘I gave the publisher heaps of ideas, and examples of covers I liked, and their designer read the book and sent five examples to choose from. It was a really smooth and fun creative process.’ Kirsten even took printouts of the two ideas she liked most to a bookstore and ‘put them on top of the piles of books to see how they compared with others. This was an interesting exercise as they looked different when part of a large group.’

For indie authors, creating your book’s cover is a more personal process, but one thing all successful authors agree on is the importance of a high-quality cover that suits your book’s genre and market.

The title is equally crucial: it has to be engaging while also giving readers an indication of the book’s content and genre. Again, indie authors have more control over this process than traditionally published authors. When I worked in-house at a large publishing company it was quite common for book titles to change from the author’s original choice, based on how the marketing team planned to promote and sell the book. It’s important to find a title that suits the widest readership possible.

Indie authors definitely have much more control over pricing strategies for their books than traditionally published authors do; and, of course, they usually receive a higher percentage of that price each time they sell a book. Darrell talked about the benefits of volume when it comes to price: e.g. when you release a new book, you can offer previous titles at a lower price so readers are encouraged to buy more than just the new release. Or you might offer your new release at a special discount price for the first month, for example. Being your own publisher means you can be as flexible as you like with pricing strategies.

MORE MARKETING/PROMOTION TIPS

Another session I attended was called To Market, To Market, and these are the tips I picked up there:

The most-shared and retweeted blog posts are Top-Ten-list-style posts: e.g. Top Ten Tips for Self-Promoting Your Book.

Consider writing a monthly or bimonthly newsletter that contains useful information for writers, background history to your books, anything you think readers might find interesting. Add a sign-up option to your author website so readers can provide you with their email address to receive the newsletter.

Run competitions through your website to collect names/email addresses for your mailing list: e.g. give away a copy of your latest book to the first 20 people that sign up to receive your newsletter.

Consider purchasing advertising space in other successful e-newsletters. (Traditional publishers are doing this and finding they get an excellent return from such ads.)

 

WHAT ABOUT YOU? WHAT MAKES YOU PICK UP A BOOK? HOW DO YOU GO ABOUT MARKETING? ANY TIPS TO SHARE?

 

Here and Now: Felicity Castagna and me – Varuna/Sydney Writers’ Festival

Kirsten Krauth, Felicity Castagna + Irina Dunn, Varuna/Sydney Writers' Festival. Photo:
Kirsten Krauth, Felicity Castagna + Irina Dunn, Varuna/Sydney Writers’ Festival. Photo: Bette Mifsud.

When you go up on a stage to talk about your book, the harsh spotlight and the mics and the intense concentration and the nerves means the event can fly past you even as you’re experiencing it. Something like smoking too much pot.

I was going to dredge up my disconnected and whimsical memories but — thank God — I discovered Lisa Fleetwood’s Welcome to My Library blog, which covers it so much more eloquently than I could. She’s kindly agreed to do the work for me, and let me reproduce it here…

HERE AND NOW: DEBUT FICTION AT THE VARUNA/SYDNEY WRITERS’ FESTIVAL: FELICITY CASTAGNA AND KIRSTEN KRAUTH

BY LISA FLEETWOOD

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Wow, what a great start to the Sydney Writers’ Festival! I love the day up at the Carrington Hotel in Katoomba — its such a great setting for a writers’ fest! For this blog post I will just concentrate on the first session as it featured two amazing Australian women writers. I took so many notes, it’s too much for even one blog post.

Two debut writers (but both are by no means new to the world of writing and editing) Kirsten Krauth and Felicity Castagna featured in conversation with Irina Dunn. Both authors have written fiction centred around the suburbs of Western Sydney [Felicity’s is YA; Kirsten’s was published as adult but crosses over into YA], and have explored the lives of teenage protagonists that are forced into maturity early. The discussion was informative and interesting (as a writer and a reader), and chaired brilliantly by Irina.

just_a_girlKirsten Krauth’s novel just_a_girl tears into the fabric of contemporary culture. A Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Layla is isolated and searching for a sense of connection, faith, friendship and healing. The author explores the teenage world of what it’s like to grow up negotiating the digital world of Facebook, webcams, internet porn, mobile phones and cyber-bullying — a world where the line between public and private is increasingly being eroded.

Felicity CastagnaFelicity Castagna’s novel (which has been short-listed for a NSW Premiers Literary Award & the Children’s Book Council of Australia Book of the Year: Older Readers) tells the story of Michael, whose older brother dies at the beginning of the summer he turns 15, but as its title suggests, The Incredible Here and Now is a tale of wonder, not of tragedy. It tells of Michael’s coming of age in a year which brings him grief and romance; and of the place he lives in Western Sydney and its mix of cultures. Through his perceptions, the reader becomes familiar with Michael’s community and its surroundings, the unsettled life of his family, the girl he meets at the local pool, the friends that gather in the McDonald’s parking lot at night, the white Pontiac Trans Am that lights up his life like a magical talisman.


 Irina began the discussion about the environment of the novels. How did the authors create the sense of place?

→For Felicity, Parramatta was a place she knew well, had walked and worked and lived in, and was fascinated by the mix of cultures and the small spaces where people gather — the Macca’s carpark, the Westfield food court, the local shops and the intricacies that make up a bustling city and how a teenager might inhabit that space.

→For Kirsten, her former commute from Springwood to Sydney was a plethora of research fodder for a self-proclaimed semi-stalker of people. She found that a train is a place somewhere in between public and private, a place where not all, but many people, reveal private information in a very public place, especially teenage girls. From the discussion today, I sense that the environment inside and outside the train (regular or irregular passengers, gigantic moths, the beautiful landscape passing by) will feature, but upon reading the book I am sure a further sense of Layla’s space, her inner thoughts and her online world will be revealed.

Both authors talked of wanting to elaborate more with the setting and place.

→Felicity is particularly interested in place-driven novels, but both commented on the need to strip back the description to write a character study rather than setting.

→Kirsten realised that her characters wouldn’t notice the environment as much as she would. Kirsten’s comment struck a chord with me — why hadn’t I thought about that before? I have sometimes used description in my novel as merely a need to get something across to the reader, but would a teenage boy (my protagonist) notice the lines of a building, what it was made of, or the sunlight sparkling on the cascade of a waterfall? Maybe not. Time for yet another edit maybe.

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Kirsten Krauth, Felicity Castagna and Irina Dunn, Here and Now session, The Carrington, Katoomba, Varuna/Sydney Writers’ Festival

The discussion moved on to how the authors captured the teenage voice. How did they do it so well?

→Felicity, as a former teacher in a boys’ high school, had seven years’ experience observing teenage boys and how they speak and react, but within that she wanted to create a poetic, lyrical voice with a teenage usage of similes and metaphors.

→Kirsten was fascinated with what she would sometimes hear on the train, the ease at which teenage girls would freely talk about their escapades (sometimes sexual) in a public space, but she was also interested in the private/public space of the internet and how much could be gleaned about people without their knowledge.

When researching her book (which actually began as a character study), Krauth found that talking to teenage girls didn’t reveal to her the information she was looking for, but all she had to do was sit back and listen — on the train, but also online. Her book also explored the digital medium of lonely people who can’t connect in everyday life but connect online privately on a public medium, or so they think. Krauth found that it didn’t take much to find out where someone lived, what they liked and who their friends were. She found it easy to get inside the minds of teenage girls, so how easy would it be for a sexual predator? Something to think about for me with a teenage daughter. We have had a ‘internet is turned off when Mum goes to bed’ rule for a long time. This rule won’t be changing anytime soon!

What were their influences for these novels?

→Felicity’s childhood YA reading (while living abroad) introduced her to a form of writing called ‘vignettes’ and she used this style to write her novel. A vignette is a short impressionistic scene that focuses on one moment or gives a trenchant impression about a character, idea, setting, or object, or in Felicity’s words — a series of ‘short short stories’. She then puts her stories into linear fashion and fills in the gaps.

→Kirsten’s quotes Room by Emma Donoghue, The Curious Incident of the Dog in the Night-Time by Mark Haddon and Rocks in the Belly by Jon Bauer as influences for their clarity and fresh voice, as well as the naive voice (of a child) and a terrible sense of dread.

Plotter or Pantser?

Definition: Plotter –  Outlines novel before sitting down to write it. Pantser – Sits down at the computer each day, waiting to be surprised, writing your book literally by the seat of your pants.

→Kirsten — definitely a Pantser. She wrote the first draft without planning or plotting and without re-reads or editing. As soon as she mentioned doing her Masters with Sue Woolfe, I knew what she meant! (I will do a blog post about Sue Woolfe soon). I did a fascinating day course with her last year. Her view is that over-planning and plotting limits the imagination, reins it in. Where would our imaginative brains have taken us if we weren’t corralled by a firm plot? Kirsten talked of writing scenes in fragments and moving the scenes around to where they fit best. What voice appears in the story after first draft? What emerges as the heart of the story, the main theme?

→Felicity wasn’t quite as definite. I recall her nodding to the question of being a Pantser. Perhaps she may have been combination of the two, but her form of writing — the Vignettes — leans towards a Panster. These vignettes may have been her first ‘pantser’ draft, then upon second draft spent some time plotting and, as she said, ‘fills in the gaps’. If she reads this post, perhaps she can confirm! It was hard for both authors to answer all of the questions fully with the limited time of the session, or maybe I simply missed her response while scribbling notes.

In closing

There was further discussion regarding multiculturalism and how children perceive it, internet research and the dangers of connecting online, the world of self-marketing as an author, and comparisons between growing up in the 80s compared to teenagers in the digital age. A question from the audience touched on the perception of adults about teenagers, and the discussion led to the intelligence and sensitivity of children and teenagers, and how there is a big gap between their inner thoughts and feelings, and how they present themselves to the world, which could lead to an incorrect perception by adults.

Both authors read short excerpts from their books which gave me a real sense of the characters and the place setting. I am really looking forward to reading and reviewing them.

felicity-castagna

Kirsten-Krauth-200

To read more about Kirsten Krauth click here for her website and Wild Colonial Girl Blog.

To read more about Felicity Castgana click here for her personal website go tohttp://www.incrediblestories.net.au for a teaching guide for her book.

Book images and synopsis from Goodreads.

Read my related articles about Notable Australian Children’s Fiction and the Sydney Writers’ Festival.

 

Festivals: Clunes Booktown, Sydney Writers’ Festival + how to approach them

Alex Miller, Castlemaine-based author and winner of Victorian Premiers Literary Award for Coal Creek, will feature at Clunes Booktown
Alex Miller, Castlemaine-based author and winner of Victorian Premiers Literary Award for Coal Creek, will feature at Clunes Booktown

Before I head into a general ramble about festivals, I’ll get the topical bit out of the way to say: yes, I am in! May is festival time so if you live in Sydney, Melbourne, or the regions surrounding me (Ballarat, Bendigo, Castlemaine, etc), please come and see my fest debuts; it’s always nice to have bums on seats. And I always like to get audience questions from people I already know.

CLUNES BOOKTOWN, 3-4 MAY

This is one of my favourite festivals, where the beautiful old streets are taken over by second hand booksellers; a literary paradise. It’s a nice day trip from Melb or a fun weekender.

I’m excited to be including on the program, doing a session with graphic novelist Nicki Greenberg (where we push the boundaries of the novel), plus I’ll be pushing things even further when I head up on stage for the first time with my dad, Nigel Krauth, also an author (well, he did win the Vogel Award for his first novel Matilda My Darling and the NSW Premiers Literary Award for JF Was Here). We’ll be duelling light sabres and talking about how to write fathers and daughters and how we both get caught up in our own and shared fictions.

My sessions at Clunes:

Sat 3 May: 11.15-12.15, Pushing the Boundaries of the Novel, with Nicki Greenberg, Venue: Warehouse

Sun 4 May: 12.30-1.30, Writing the father Writing the daughter, with Nigel Krauth, Venue: Warehouse

The highly esteemed Alex Miller and Henry Reynolds will also be in attendance. Full programme is available here.

SYDNEY WRITERS’ FESTIVAL, 19 + 22 MAY

Felicity Castagna, Friday Night Fictions author, will be doing a session with me about first novels at Sydney Writers' Festival
Felicity Castagna, Friday Night Fictions author, will be doing a session with me about first novels at Sydney Writers’ Festival

One of the things I love about writers’ festivals these days is that they’re spreading like a virus out of the inner-urban into regional areas. I’m very excited to be appearing in Katoomba in the Blue Mountains (where just_a_girl is set) alongside another debut author Felicity Castagna (whose work appeared in Friday Night Fictions).

Again, city-dwellers could do a great day trip or locals will probably already have their tickets. Apparently they are selling well.

What I’m really keen on is that two of my favourite writers of the moment (Richard Flanagan – YES! – and Emma Donoghue) will also be in Katoomba. I’ll be staying at Varuna, the famous retreat for writers, so I’ll be able to suss it out before returning to hopefully work on the second novel at some point this year.

I never would have dreamed when I was about to launch my book that down the track I would be talking about marketing, but there you go. At Forest for the Trees, an all-day NSW Writers’ Centre seminar on the state of publishing, I’ll be hanging out with Kate Forsyth and discussing how you go about marketing novels, and how social media (and blogging) can help. I like to target these sessions to the modern introvert (like me) who can go a long way to promote their work without moving from their bedroom (except to get the occasional cup of tea).

My sessions at Sydney Writers’ Festival:

Here and Now: Debut Fiction, Monday 19 May, 10–11.10am, Carrington Hotel, Katoomba. (More info – tickets for session at venue or day passes available.)

Forest for the Trees: Writing and Publishing in 2014, how to publish and market a debut novel, Thursday 22 May, State Library of NSW, 10am–4.30pm. (More info – tickets available from SWF website.)

THE GENTLE ART OF APPROACHING WRITERS’ FESTIVALS

Richard Flanager, author of my fave book from last year, will also be appearing in Katoomba as part of the SWF
Richard Flanagan, author of my fave book from last year, will also be appearing in Katoomba as part of the SWF

I don’t tend to think of myself as naive, but if I’m being completely honest, perhaps I’m a bit more like my character Layla than I tend to admit.

Along the marketing ride (I mean gallop)  for just_a_girl, some things have taken me by surprise. One has been the notion of the writers’ festival.

Now I have been going to writers’ festivals since I was a child. My dad Nigel Krauth (see Clunes above) sometimes took me along to his sessions (I remember CUB Malthouse in Melbourne) and I’d watch with pride and awe as he read filthy passages that made me blush and roll my eyes, and fielded questions from the audience as if he was very important. In my twenties and thirties I attended many festivals as a reader, never in quite as much awe, but keen to glean as much know-how as I could, for the day when I would be a famous writer.

But back to earth. Writers’ festivals are quite hard to get into. I didn’t know this. I never did the maths (ie 10,000 aspiring writers does not equal 400 writers in festival program). I thought that once I had a novel published, there it was. I was a WRITER now. I wasn’t emerging any more. I was OUT. THERE. There’s this book in your hand. Anyone can see it. Feel free to programme me.

But no. Like anything else these days, it is no longer just about the book. It’s about the writer. And you have to sell your soul! I mean, your self. This is all about strategy. It’s taken me nearly a year to break into the festival circuit (since just_a_girl was published). Here are a few things that I’ve learnt so far that could help:

Tim Ferguson, author and DAAS (see earlier blog post), will be teaching comic writing at Sydney Writers' Festival
Tim Ferguson, author and DAAS (see earlier blog post), will be teaching comic writing at Sydney Writers’ Festival

1. You need to get in early. It’s good to think about approaching festivals pretty soon after the last one has finished. Not too soon … but.

2. The personal touch works. Don’t just send a media release with a review copy of your book. Write about you, what you’re about, why you wrote your book, how your angle differs from everyone else’s.

3. Offer to do extra stuff. Look you’ll get taken advantage of, but that’s the fucking industry all over, isn’t it! Offer to convene other sessions (if you’re the extroverted type) or blog about other sessions (more my style).

4. Try the regional angle. Of course everyone wants to get into Sydney and Melbourne and they have wonderful prestige and the chance to hobknob but in terms of promoting your books, you might get lost in the crowd…Look for festivals in your area (see Clunes Booktown again!) or check out online databases of literary festivals and try a smaller one that concentrates on your genre.

My good mate Walter Mason (Destination Cambodia) will be appearing with Stephanie Dowrick at Sydney Writers Festival
My good mate Walter Mason (Destination Cambodia) will be appearing with Stephanie Dowrick at Sydney Writers Festival

5. Rejection is hard. The difficult thing about being knocked back from festivals is if you focus on point 2 above, as you need to, it can start to feel personal. Not only does the festival not want the book, they can’t place you as a person either. But each festival director is different, looking for a new angle on old topics. Look at the program and see where you slot in. Try again next time. Try and find another writer working in a similar vein. Are they sexier than you? Good. Use them. Pitch as a team.

6. Look to the experts. I commissioned Angela Meyer, of LiteraryMinded fame, to write a terrific sum-up of how to appear at writers festivals for Newswrite magazine (NSW Writers’ Centre) because she’s been to loads. Her article has since been reproduced at ArtsHub so it’s a great starting point…

AND WHAT ABOUT YOU? DO YOU GO TO WRITERS FESTIVALS? WHICH ARE YOUR FAVOURITES — AS READERS OR WRITERS?

Wild Colonial Girl has a Facebook page too! If you could LIKE I would really LOVE.

And the prize goes to…

Hope you are all idling away the hours reading and relaxing, and not back to the daily grind just yet.In the latest news to hand, a BIG congrats to Amy, who has won the book-hamper pack — 10 signed copies of great Australian books — for doing a review of just_a_girl on amazon.com.au.

Thanks to all who posted reviews, and here is Amy’s take on the book:

I read ‘just_a_girl’ within the first week after publication. I loved it. Layla’s voice is one of the most authentic teenage narrators I’ve ever met in fiction, and being a PhD candidate studying YA fiction, I have read A LOT of teenage narrators in the last two years. I understood Layla and believed her and I wanted to protect her (haha) but at the same time enjoyed following her through her experiences as she navigated teenage life. Her mother Margot’s narration was interesting and a nice contrast too … Tadashi’s narration, though seemingly disconnected from L and M’s lives, provided some nice, complementary commentary about the nature of femininity. For me, the novel (at times) seamlessly blurred the lines between reality and fantasy; the real and imagined lives of three different people.

As a long-time YA fan, I studied YA for my Honours thesis a few years ago, looking at subverting the conventions of YA and moving beyond censorship. The best thing about Kirsten’s novel was the honesty created by Layla’s voice. She told the truth about teenage life; no sugar-coating or self-censorship! We need more of these voices in fiction with young narrators and I truly believe Kirsten has tapped into some new territory here, crossing over between adult, YA and possibly even New Adult fiction. Amy x

Thanks, Amy, for the insightful review, and I like how it’s placed within the context of adult/YA novels in general. I look forward to reading the PhD…

Narrow Road to the Deep North
Richard Flanagan’s book: yep, it’s sensational.

With the sweltering days hazy around me with smoke, and red-blood moons, I’ve been hiding in my airconditioned rooms and trying not to look at the CFA app every two seconds. I’m busy editing Newswrite, writing for ABC Arts online, seeking funding/grants for my next book, and deciding which authors to read next in 2014. I’ve also been invited to the 2014 Victorian Premier’s Awards shindig, so if anyone is there who reads the blog, let me know, and we can match voices to faces.

Over the hols I’ve been reading Richard Flanagan’s The Narrow Road to the Deep North and agree with many commentators that it is sublime. I’ve always liked his books — but this novel is faultless and mesmerising; the best book I’ve read in years. I’ve also just finished The Life and Loves of Lena Gaunt, an impressive debut (from Friday Night Fictions) and I’ll be interviewing author Tracy Farr in upcoming weeks.

What have you been reading over the holidays? Anything stand out?

All I want for Christmas is…

Fancy a Sylvia Plath doll for Christmas?
Fancy a Sylvia Plath doll for Christmas?

I’m one of those people who is easy (some would say dull) to buy for. Every year, when my family asks what I want, I usually say books, books, books, magazine subscriptions or notebooks to write in. God, how I love touching and feeling notebooks. And there’s a Moleskin now that links up to Evernote so you can scan in your notes. Wow! I know this is starting to sound like a sponsored post, but I can’t help it if I’m a bit passionate.

I’ve also just been mouth-watering over Allison Tait’s list of gifts for writers (Ernest Hemingway or Sylvia Plath doll, anyone?).

What I like most of all is getting book vouchers so I can wander through indie stores like Gleebooks (Sydney) or Stoneman’s (Castlemaine) or Readings (Carlton) and just browse and choose randomly, usually going purely on design (yup I like doing that).

In the past year, though, I’ve been more and more seduced by the Kindle. Covered in soft leather, I can read it lying on my side in bed (my favourite position). The idea that it holds instant access to not just worlds, but whole solar systems of material, still blows my mind. I need a book right now, and I have it. Great for lazy, procrastinating types. I also prefer it for books to do with work. The highlights and notes function is incredibly useful for reviewing and analytical work, and very quick to jump around and trigger memories and ideas – and I’ve never been comfortable with writing in pencil directly in books; I like the pages designed and clean.

Which leads me to my book-hamper competition in a roundabout way. Just a quick reminder! If you are a fan of any of the following Australian writers — Jon Bauer, Simmone Howell, Walter Mason, Jo Case, Dawn Barker, Jenn J McLeod, Jessie Cole, Annabel Smith, Wendy James or Angela Meyer (first edited collection!) — there’s a chance to win autographed copies of all ten books!

All you need to do is write a little review of my novel, just_a_girl! If you’ve read it, just hop to amazon.com.au and pen a few lines here.

If you haven’t … the book is also available to download for under 10 buckeroos at the same place or you could offer it to someone you love for Xmas (parent of a teenage girl, perhaps!).

All authors really love reviews of their work, and the Amazon.com.au site is pretty new so would love some commentary there. Just see it as a gift to me:-)

I’ve also decided to extend the date of the competition to 15 January. Gives you a bit more time to read just_a_girl in wind-down time…

Which leads me to pressie time. All the books in my Xmas hamper have been carefully selected and fawned upon over the past year. I’ve been thinking about who I might give them to in my inner circle (see below). I’ve linked to their Kindle editions if you’d like to buy them too. They won’t be signed, but, so you can still enter the competition.

Walter Mason, Destination CambodiaJo Case, Boomer and MeWendy James, The MistakeDarkness on the Edge of TownFracturedThe Great UnknownJon Bauer, Rocks in the BellyGirl DefectiveAnnabel Smith, Whisky, Charlie, FoxtrotJenn J Mcleod, House for all Seasons

  • Jon Bauer‘s Rocks in the Belly  would go to my Mum. I’ve been raving about it since I first read it, and then he moved to Chewton and joined the writers’ group I’m in. I was a bit scared of him at first (read the book and you’ll get it). But, seriously, it’s a tense and brutal drama, and Mum would enjoy the edginess of it, and the strong characterisation.
  • Simmone Howell‘s Girl Defectiv would go to my mate, Klare. The seedy side of St Kilda. A record store on the verge of collapse. And a strong teen girl lead. She would love it. Simmone is also in my writers’ group and is one of the most dynamic authors I’ve come across in recent years. So witty and her characters have such unique voices.
  • Walter Mason‘s Destination Cambodia would go to my friend Jane, who I met on an Intrepid trip to Cambodia. The journey was characterised by hilarity and pathos, and Walter’s book captures the intricacies of the place well. Jane is always on an adventure somewhere and has just returned from trekking in Nepal *jealous*.
  • Jo Case‘s Boomer and Me would go to a fellow mum and friend I’ve made in Castlemaine, Karen. We have talked often about what it means to be a ‘good mum’ and what a relief it is to read a book by a mother, finally, who doesn’t pretend to be perfect and jolly hockeysticks and a domestic goddess. I mean, we can’t all be Nigella (although I’ve heard she has some ‘help’ anyway).
  • Dawn Barker‘s Fractured would go to my mother-in-law. I think she would enjoy the fast pace, the cool structure and the piercing narrative that makes you question all your assumptions about motherhood…and it’s scary in places; she likes thrills.
  • Jenn J McLeod‘s House for All Seasons would go to my Nanna. She is a big reader, likes drama and intertwining lives, along with strong female characters and a good dose of mystery. Whenever I visit Nanna, she has the week’s TV viewing circled into the wee hours of the morning, nearly all crime and suspense. I usually head off for my nanna nap at 9pm and leave her to be a night owl.
  • Jessie Cole‘s Darkness on the Edge of Town would go to my boss, Julia. I’m cheating a bit here because she has already read and raved about it. So I know she likes it! When staff at the NSW Writers’ Centre were asked to pick their favourite reads for 2013, Jessie’s debut novel came out on top.
  • Annabel Smith‘s Whisky Charlie Foxtrot would go to my sister in law. The book is cerebral, sensitive, pared back and unconventional (just like her). Annabel Smith is my great find of the year. As I’ve said often to anyone who will listen, she should be on the world stage, people! Soon she’ll be mentioned in the same para as Christos.
  • Wendy JamesThe Mistake would go to my best friend, Jill. Like Fractured, it’s a thriller that manages to straddle the literary and popular worlds. It teases the reader with its ‘suburban noir’, a dark underbelly of the domestic.
  • And finally, Angela Meyer‘s brilliant new edited collection, The Great Unknown, would go to my husband. With its short stories capturing the fantastical, macabre and absurd, he’d be able to dip in and out (while working on his laptop, checking his iPhone and looking at films on his iPad at the same time).

WHAT ABOUT YOU? WHAT BOOKS WOULD YOU LIKE TO RECEIVE THIS CHRISTMAS?

just_a_girl Christmas competition: win a book-hamper

FracturedI thought I’d get in the Christmas spirit and hold a little competition …

So … I have a prize pack on offer of 10 BOOKS from some of the fabulous writers who’ve shared their stories on Wild Colonial Girl over the past year. The winning Christmas book-hamper features SIGNED copies of:

  • Simmone Howell – Girl Defective
  • Walter Mason – Destination Cambodia
  • Jon Bauer – Rocks in the Belly
  • Jenn J McLeod – House for all Seasons
  • Jessie Cole – Darkness On the Edge of Town
  • Annabel Smith – Whisky, Charlie, Foxtrot
  • Dawn Barker – Fractured
  • Angela Meyer (editor) – The Great Unknown collection
  • Jo Case – Boomer and Me
  • Wendy James – The Mistake

TO WIN?

My novel, just_a_girl, has just been listed as an e-book at Amazon.com.au and it’s looking a wee bit lonely.

Simply write a review (2 words, 2 sentences, 2 paras, a thesis – I don’t mind) and put it on Amazon here by 31 December (gives you a bit of time to do some holiday reading).

I’ll be choosing the winner (most unique response) on 1 January, and will announce it on the blog early in the New Year when I’ve recovered from staying up to 9pm to watch the fireworks (it’s never the same after you have kids).

I’ll also feature some of the reviews I love on Wild Colonial Girl next year.

THE BOOK-HAMPER: here’s a spotlight on the books you might win

Simmone Howell, Girl Defective

Girl Defective“It was just Dad and me and Gully living in the flat above the shop in Blessington Street, St Kilda. We, the Martin family, were like inverse superheroes, marked by our defects. Dad was addicted to beer and bootlegs. Gully had ‘social difficulties’ that manifested in his wearing a pig-snout mask 24/7. I was surface clean but underneath a weird hormonal stew was simmering. My defects weren’t the kind you could see just from looking. Later I would decide they were symptoms of Nancy.”

This is the story of a wild girl and a ghost girl; a boy who knew nothing and a boy who thought he knew everything. And it’s about life and death and grief and romance.

All the good stuff.

From the award-winning author of Notes from the Teenage Underground, and Everything Beautiful.

Walter Mason, Destination Cambodia

Walter Mason, Destination CambodiaThe ancient and mysterious ruins of Cambodia have long captured the imagination of visitors, more so now than ever before. In Destination Cambodia, Walter Mason charts an affectionate, intimate and deeply personal look at a Kingdom that has drawn him back again and again since his youth.

Whether he’s watching young monks recite the Buddha’s life stories, visiting shamans and fortune tellers, or discovering the darker alleys of Phnom Penh with a romantic novelist and a world-weary street hustler, Walter takes the reader straight to the heart of this famously unknowable country. As heat, dust and weariness take their toll, he remains alive to the charms, and even seductions, of a place that was once a byword for misery and human suffering.

Destination Cambodia takes us on a joyful and constantly fascinating literary journey in which Cambodia is vibrant and its people excited about the future while never denying their haunted past.

Jon Bauer, Rocks in the Belly

Jon Bauer, Rocks in the BellyHow far can you push a child?

Rocks in the Belly follows a precocious eight-year-old boy and the volatile adult he becomes. During childhood his mother fosters boys despite the jealous turmoil it arouses in her son. Jealousy that reaches unmanageable proportions when she fosters Robert, and triggers an event that profoundly changes everyone. Especially Robert.

At twenty-eight the son returns to face his mother. He hasn’t forgiven her for what happened. But now she’s the dependent one and he the dominant.

Jenn J McLeod, House for All Seasons

Jenn J Mcleod, House for all SeasonsBequeathed a century-old house, four estranged friends return to their home town, Calingarry Crossing, where each must stay for a season to fulfil the wishes of their beloved benefactor, Gypsy. Here they finally face the consequences of the tragic accident that occurred twenty years ago and changed their lives forever.

Sara, a breast cancer survivor afraid to fall in love;

Poppy, an ambitious journo craving her father’s approval;

Amber, a spoilt socialite looking for some purpose to life.

Jessie Cole, Darkness On the Edge of Town

Darkness on the Edge of TownMy dad, he collects broken things … Where other people see junk he sees potential … My dad collects broken people too …

Vincent is nearly forty years old, with little to show for his life except his precious sixteen-year-old daughter, Gemma: sensitive, insightful and wise beyond her years.

When a stranger crashes her car outside Vincent and Gemma′s bush home, their lives take a dramatic turn. In an effort to help the stranded woman, father and daughter are drawn into a world of unexpected and life-changing consequences.

DARKNESS ON THE EDGE OF TOWN is a haunting tale that beguiles the reader with its deceptively simple prose, its gripping and unrelenting tensions, and its disturbing yet tender observations.

Annabel Smith, Whisky, Charlie, Foxtrot

Annabel Smith, Whisky, Charlie, FoxtrotWhisky and Charlie are identical twins. But everything about them is poles apart. It’s got so bad that Charlie can’t even bear to talk to his brother anymore – until a freak accident steals Whisky from his family, and Charlie has to face the fact he may never speak to his brother again.

‘It is rare to encounter fiction that will appeal to adults and Young Adults alike that so intelligently explores the downright messiness of family relationships through adult characters; rarer still to find an author who writes of traumatic injury and the looming shadow of death with such verve and sensitivity.’ Australian Book Review

‘… by far the enduring sense of this novel is of having been in the hands of a storyteller with more than just a good story, one with something to say about how to live, and the energy and pluck to say it.’ The Australian

Dawn Barker, Fractured

FracturedAn unforgettable novel that brings to life a new mother’s worst fears.

Tony is worried. His wife, Anna, isn’t coping with their newborn. Anna had wanted a child so badly and, when Jack was born, they were both so happy. They’d come home from the hospital a family. Was it really only six weeks ago?

But Anna hasn’t been herself since. One moment she’s crying, the next she seems almost too positive. It must be normal with a baby, Tony thought; she’s just adjusting. He had been busy at work. It would sort itself out. But now Anna and Jack are missing. And Tony realises that something is really wrong…

What happens to this family will break your heart and leave you breathless.

Angela Meyer (editor), The Great Unknown

The Great UnknownThe imaginative stories in The Great Unknown take inspiration from vintage American TV programs such as The Twilight Zone and The Outer Limits—and their contemporaries and successors—paying tribute to the cultural influence these shows have had on lives ‘down under’.

Episodes of these programs were often metaphors for equality, justice, the nuclear threat and other issues, while being memorably spooky and fun. Editor Angela Meyer wanted to see what themes might seep into the writing of contemporary Australian writers working with the spooky, the strange, the eerie, the fantastic, the speculative, the macabre and the absurd.

Jo Case, Boomer and Me: a memoir of motherhood, and Asperger’s

Jo Case, Boomer and MeLeo is having trouble fitting in. Whether it’s pulling his pants down in the schoolyard or compulsively saluting Mazdas because the company sponsors his football team, Leo can never seem to say or do the right thing. And Jo is struggling to help him find his place as she juggles work and the ordinary demands of motherhood. But her beloved only child has been reading novels since he started school, amazes strangers with his encyclopaedic knowledge of sport statistics, and displays a wit sharp beyond his years – could he be gifted? In fact, it turns out Leo has Asperger’s Syndrome.

This is the bittersweet, blackly funny story of a boy and his very twenty-first-century family, and why being different isn’t a disability – it just takes a bit of getting used to.

Wendy James, The Mistake

Wendy James, The MistakeThe past isn’t dead. It isn’t even past …

Jodie Garrow is a teenager from the wrong side of the tracks when she falls pregnant. Scared, alone and desperate to make something of her life, she makes the decision to adopt out her baby – and tells nobody.

Twenty-five years on, Jodie has built a whole new life and a whole new family. But when a chance meeting brings the illegal adoption to the notice of the authorities, Jodie becomes embroiled in a nationwide police investigation for the missing child, and the centre of a media witch hunt.

Friday Night Fictions: October 2013

Howdy, and welcome to the third soiree for FRIDAY NIGHT FICTIONS*.

It’s a strong contingent this month. Each time I do this, seek out debut novels and collections of short stories, I’m impressed by the scope and daring of the writing, especially that released by the smaller and independent publishers.

The more I wade into the deep of promoting my book, the more I realise that success is based on personal connections. In the list below, I have previously reviewed Cameron Raynes‘ dry and exquisite collection of short stories (for The Australian), which prompted me to hire him to write an article for Newswrite (the magazine I edit for the NSW Writers’ Centre) on how a stutter has helped (and hindered) his creative life (one of my favourite articles, that makes me cry every time I read it). I have watched Alex Hammond talk at a NSW Writers’ Centre panel on how to market crime fiction. And I have read with interest the reviews of Snake Bite, that seem linked to my own work: both novels billed as Puberty Blues(es) for the contemporary age.

One of my favourite moments of pulling together FNF is to choose a writer to profile each month. Next up is an interview with Michael Adams  (whose book The Last Girl featured in September) and I’ll be chatting to him next week.

And, ta dah!, the chosen one for October is Tracy Farr. “This is the story of Dame Lena Gaunt: musician, octogenarian, junkie.” With that opening line, I’m in!

If you’re a debut novelist or short story writer who’d like to contribute to next month’s edition, check out the guidelines and the August and September clubs.

For previous clubbers, I’ve also updated the August and September pages to see how writers are faring a couple of months in. Congrats to Dawn Barker, whose  Fractured has been the most reviewed book on the Australian Women Writers’ website, and Melissa-Jane Pouliot, whose novel about a missing person has really struck a nerve (see both in the August edition). I like the idea of all the pages evolving each month (rather that remaining static), so please email me updates at any time, so everyone can track how you’re going, and get some inspiration…

Indie (self-published authors) have had a bit of a rough trot lately. Where are you hiding? Give me a hoy. This monthly club is especially geared to you!

FINALLY, I was also pretty thrilled to see the Sydney Morning Herald‘s Susan Wyndham give FRIDAY NIGHT FICTIONS and debut author Nina Smith a little plug in her weekly column. This has brought many new visitors to the site…

just_a_girl SMH column
just_a_girl (and Friday Night Fictions) promoted in Susan Wyndham’s column in Sydney Morning Herald

*PS, as I post this, I realise it’s actually just turned to November and, due to unforeseen error (ie partying with Mikelangelo and the Black Sea Gentlemen at the Spotted Mallard in Brunswick), it’s more like Saturday Night Fever. Whoops. Anyway – enjoy!

SARAH AYOUB, Hate is Such a Strong Word

Hate Is Such A Strong Word Sophie Kazzi is in Year 12 at an all-Lebanese school where she is uncool and bored out of her brain. She’s desperate to find a little more to her life, documenting her hates in a journal that sounds like a rant list, not a diary.

Unfortunately, her father has antiquated ideas about women, curfews and the ‘Lebanese way’. Bad news for Sophie, who was hoping to spend Year 12 fitting in and having fun — not babysitting, studying or thinking about the accounting course she doesn’t want to do.

Then Shehadie Goldsmith arrives at school. Half-Australian and half-Lebanese, he’s even more of a misfit than Sophie. And with his arrogant, questioning attitude, he also has a way of getting under her skin.

But when simmering cultural tensions erupt in violence, Sophie must make a choice that will threaten the cultural ties that have protected her all her life.

Are her hates and complaints worth it?

Read an extract of the book on Harper Collins’ Summer of Supernatural page here.

Catch Sarah on her website + Facebook  + Twitter.

Buy the book at any of these retailers.

CRAIG CLIFF, The Mannequin Makers

The Mannequin MakersTwo rival window dressers at the beginning of the Twentieth Century try to outdo each other with ever more elaborate displays and lifelike mannequins.

When one of the window dressers, Colton Kemp, is rocked by the sudden death of his wife, the rivalry takes on new dimensions. Inspired by a travelling Vaudeville company, Kemp decides to raise his children to be living mannequins.

What follows is a tale of art and deception, strength and folly, love and transgression, which spans a century and ranges from small-town New Zealand to the graving docks of Scotland, an inhospitable rock in the Southern Ocean to Sydney’s northern beaches.

Along the way we meet a Prussian strongman, a family of ship’s carvers with a mysterious affliction, a septuagenarian surf lifesaver and a talking figurehead named Vengeance.

Buy the printed version at Fishpond, Booktopia, The Nile or Mighty Ape. Buy the e-book from Amazon, iBooks or Kobo.

Read the first chapter here. Find Reading Group Questions on The Mannequin Makers here.

Visit Craig’s website or blog, or follow him on Twitter for more information.

 

SHADY COSGROVE, What the Ground Can’t Hold

What the Ground Can't HoldTwo Americans are presumed dead and nine people are trapped in a cabin after an avalanche in the remote Andes…

Among them is Emma, an Australian faced with an impossible decision that could see her parents jailed.

Jack, a teenager obsessed with Jack Kerouac, guided by a skewed moral compass.

Carmen, a tango dancer whose estranged father is dying of cancer.

Pedro, the cabin manager who’s in hiding from those he loves most.

And Wolfe, an American on a deadly family quest.

With food supplies dwindling, these unlikely companions are forced to extremes and discover they are bound by more than their surroundings — each has a secret that links them to Argentina’s Dirty War.

What the Ground Can’t Hold is a gripping exploration of the ways the past closes in on the present, and destroys the foundations upon which we build our lives.

Buy the book from Pan MacmillanBoomerang Books and Booktopia.

Read an extract.

Shady’s November update:

Shady’s book has been getting some great coverage. See her blog for details + the Sydney Morning Herald, That Book You Like blog and Write Note Reviews.

TRACY FARR, The Life and Loves of Lena Gaunt

The Life and Loves of Lena GauntThis is the story of Dame Lena Gaunt: musician, octogenarian, junkie.

Born in Singapore, bundled away to boarding school in Perth, Lena Gaunt has made her own way — through music — to a glittering career on the world stage as Music’s Most Modern Musician, the first theremin player of the twentieth century.

“Music from a theremin can sound like a human voice, an electronic scream…or the low moan of a cello.”

Through a life shaped by love and loss, her relationship with music endures. Lured out of retirement to play at a music festival, Lena finds herself under the gaze of documentary filmmaker Mo Patterson. Mo wants to tell the story of Lena’s life, loves and music — but Lena is reluctant to comply.

The Life and Loves of Lena Gaunt is a novel woven with sound, sea, the stories we tell (and don’t tell), and the spaces between.

Buy the book (paperback or e-book).

Read an extract.

Contact Tracy on Twitter  and Facebook  or at her website.

Listen to an interview with Tracy on ABC RN Books and Arts Daily.

Listen to Tracy read from her book at its New Zealand launch.

Tracey’s November update:

My book has been reviewed at The Incredible Rambling ElimyOtago Daily Times and recommended, MUBAs and Shakers list, on the Kill Your Darlings blog. See my post about it.

ALEX HAMMOND, Blood Witness

Blood WitnessMelbourne defence lawyer Will Harris is reluctantly drawn into a bizarre murder trial. A terminally ill man claims to have witnessed the brutal crime — in a vision.

But the looming trial is more than just a media circus: it’s Will’s first big case since the tragic death of his fiance.

With pressure mounting, Will’s loyalties are split when his fiance’s sister is charged with drug trafficking.

The strain of balancing both cases takes its toll and Will finds himself torn between following the law and seeking justice.

“a slick, fast-paced legal thriller set in Melbourne but with a genuine international flavour and with enough twists to surprise even the most avid fans of the genre” – West Australian

“There’s romance and rumbling, knife fights, knuckle sandwiches and a cracking twist in the tale. Verdict: fast paced and gripping” – The Courier Mail

See more reviews.

Read an extract.

Buy a copy.

DIANE HESTER, Run to Me

Run to MeIt’s been two years since Shyler O’Neil’s beloved son Jesse was killed, but his final moments are as vivid to her now as they were that dreadful day. Suffering from post-traumatic stress, and convinced she did not do enough to protect him, she retreats to an isolated cabin in the woods of northern Maine.

Zack Ballinger — a ten-year-old boy who’s never known a mother’s love — has seen too much and is running for his life. Pursued into the woods, he finds himself at Shyler’s cabin. He’ll take whatever help she can give — even though, for some reason, she keeps calling him Jesse . . .

Protecting Zack may well be Shyler’s one chance at redemption.

Or she is the child’s greatest threat . . .

Buy this book at Dymocks, Big W, Kmart, and other independent bookstores.

Available online from Dymocks and Angus & Robertson.

Available as an ebook from Amazon.

Read an extract.

Connect with Diane on her website and on Facebook.

ANGIE HOLST, Expectations

ExpectationsMeet Sophia, Elise, Joe and Zoe. Four students at St Andrew’s College, tired of junior school’s same old routine, but starting to feel the heavy weight of expectation and responsibility that early adulthood brings.

Sophia is sick of being a part of shallow Gen Y, and feels like an old lady trapped in a young girl’s body: oh, and she’s realised she is identifying as lesbian, just to complicate matters.

Elise is an Aussie through and through except, well, she looks thoroughly Vietnamese and she’s a mathematical genius. But she really doesn’t want to become just another Asian nerd and she’s pretty sure she doesn’t want to study maths at uni.

Quirky Joe has always hung out with them so everybody at school has concluded that he’s kind of girly: you know, he’s smart and funny and gets along with girls, so clearly he must be gay or at the very least, metro. In reality, he’s a bubbling mass of testosterone, and that volcano of energy is about to blow as his home life becomes more and more tense.

And finally there’s Zoe. Zoe is beautiful, smart, and popular but she spends most nights alone, what with her mother running a busy solicitor’s practice and her father a politician. She wants to grow up fast, and have sex on her terms. But it’s that impatience that’s clouding her judgement — and will lead her to an absolute train wreck of a situation.

In the short space of a fortnight new friendships will develop, old friendships will change, and life lessons will be learnt. But one thing is certain: being sixteen has never been easy.

Read an extract.

Follow Angie on Twitter: @awoo75

Buy the ebook at Kobo.

SHARON KERNOT, Underground Road

Underground RoadDamien, Edith, Kenneth and Mary are residents of a single street whose lives are ordinary to the last degree and as such encompass addiction and domestic violence, quiet achievements and small acts of kindness and treachery.

Jack and Mary, locked at uncomfortably close quarters on Jack’s retirement, chafe and sulk and fret.

Edith finds solace playing the pokies.

Damien lives in terror of his stepfather Marcus and the school bully and broods on revenge.

And Kenneth, unhinged, wanders the streets.

Lives intertwine and decisions are made, and the tension quietly grows to its shattering climax.

“There is dread in this work coupled with a great sense of normality and ordinariness. This is uncomfortable, political, ‘get real’ literature. The final scenes are riveting.” – Francesca Rendle-Short

Read an extract.

Buy the book.

November update:

Sharon Kernot has done a wonderful review of Margaret Merrilees’ ‘The First Week’ (which also features in this edition). Read her review in the REVIEWS section (at the bottom of this post).

KIRSTEN KRAUTH, just_a_girl

Kirsten Krauth, just_a_girlLayla is only 14. She cruises online. She catches trains to meet strangers. Her mother, Margot, never suspects. Even when Layla brings a man into their home.

Margot’s caught in her own web: an evangelical church and a charismatic pastor. Meanwhile, downtown, a man opens a suitcase and tenderly places his young lover inside.

just_a_girl tears into the fabric of contemporary culture, a Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Or never get the chance to grow up at all.

““Krauth’s debut is alive with ideas about isolation and connection in the digital age, particularly the way the internet raises the stakes of teenage rebellion.” – Jo Case, The Australian

“It’s about porn/love, isolation/connection, sexualisation/justification, misogyny/mentality, Facebook and the face-to-face. It’s about our world, right now, and it’s a little bit brilliant.” – Danielle Binks, ALPHA READER.

Read an extractBook Club Notes are available.

Buy the printed version at ReadingsBooktopia or Amazon. The ebook is available at Amazon.com.au and iBooks.

International readers please contact me direct…

See reviews of just_a_girl here.

Contact Kirsten at Goodreads, her blog (Wild Colonial Girl), Facebook and Twitter. You can see her read from her work at the Sydney book launch, along with Emily Maguire (who introduced it).

Kirsten’s November update:

Erin Stewart did a review of ‘just_a_girl’ and Christie Thompson’s ‘Snake Bite’ (see below) for Birdee Magazine. There have also been wonderfully thought-provoking reviews from Elizabeth Lhuede at Devoted Eclectic and Margot McGovern at LIP magazine — and the book featured on a list of MUBAS and Shakers at the Kill Your Darlings blog.

MARK LAMPRELL, The Full Ridiculous

The Full RidiculousA story about an ordinary family who go through an extraordinarily difficult time, told from the dad’s point of view, after he is hit by a car.

When he doesn’t die, he is surprised and pleased. But he can’t seem to move from the crash position.

He can’t control his anger and grief, or work out what to do about anything much.

His wife is heroically supportive but his teenage children don’t help his post-accident angst: daughter Rosie punches a vindictive schoolmate, plunging her parents into parent-teacher hell; son Declan is found with a stash of drugs.

A strange policeman starts harassing the family and to top it all off, his professional life starts to crumble.

This novel about love, family and the precarious business of being a man, examines the terrible truth: sometimes you can’t pull yourself together until you’ve completely fallen apart.

Buy the book.

Mark Lamprell on Radio National’s Life Matters.

Contact Mark on Twitter.

MARGARET MERRILEES, The First Week

The First WeekThis is a novel with its roots in a battered ancient landscape — the south of Western Australia.

But above all it is the story of one woman, Marian Anditon: pragmatist, farmer, mother.

When disaster strikes she is shocked and disorientated.

Hidden layers of grief and distress rise up around her like the salt of the degraded earth.

Her journey through the next week challenges all her previous assumptions.

Winner of the 2012 Unpublished Manuscript Award at Adelaide Writers’ Week.

Read an extract.

Order a copy.

Meet the author.

November update: 

Sharon Kernot (see ‘Underground Road’ above) has done a wonderful review of Margaret’s book. Heather Taylor Johnson (see below) also fell in love with Margaret’s book. See their reviews at the bottom of the page.

EIMEAR MCBRIDE, A Girl is a Half-Formed Thing

A Girl is a Half-Formed ThingThis novel tells the story of a young woman’s relationship with her brother, and the long shadow cast by his childhood brain tumour.

After years of rejections by UK publishers because it was too difficult to sell, A Girl is a Half-Formed Thing was picked up by a tiny independent press.

What followed was a debut novelist’s dream — an avalanche of critical acclaim and a rapturous response from readers.

In an intimate and compelling voice, McBride charts the progress of a young girl and her brother raised in a small Irish community.

A claustrophobic backdrop of poverty and devout faith surround this profound and devastating tale of love, betrayal and self-destruction.

Buy the book at Amazon.

CAMERON RAYNES, The Colour of Kerosene (and other stories)

The Colour of Kerosene (and other stories)A welfare worker is asked to spy on a colleague. An artist finds ragged consolation in the breakdown of a relationship.

And, in the award-winning title story, a taxi driver accepts a fare he knows he shouldn’t:

“They headed east, the nude hills of the Geraldton plains, stripped bare of trees a century before, leaning into them on both sides as the car climbed into the marginal country. Behind him, Luke heard the gurgle of fluid sluicing out of a bladder and into a cup … It occurred to him that it was not too late to turn back.”

The fourteen stories in The Colour of Kerosene lay bare the ordinary moral dilemmas we face in contemporary Australia. The small wars we fight; the alliances we forge; the compromises we make. These are crafted stories in which regret and failure are often tempered by the possibility of redemption.

See samples (with illustrations).

Read an extract.

Buy the book.

November update: Jane Skelton commented (see her book ‘Lives of the Dead’ below):

The Colour of Kerosene – I love the title. The cover’s fab — and there’s a quote from Ron Rash! I’m always interested in new short story collections and this one, set in dry, harsh places, is certainly on my list. I’m intrigued to see this collection has illustrations — mine has photos. What do people think about that idea? Does it distract from the prose or add interest, another layer?

CLAIRE SCOBIE, The Pagoda Tree

The Pagoda TreeTanjore, 1765. Maya plays among the towering granite temples of this ancient city in the heart of southern India. Like her mother before her, she is destined to become a devadasi, a dancer for the temple and it’s expected she will be chosen as a courtesan for the prince himself.

But as Maya comes of age, India is on the cusp of change. The prince is losing his power and the city is sliding into war. Maya is forced to flee her ancestral home, and heads to the bustling port city of Madras.

Maya captivates all who watch her dance. Thomas Pearce, an ambitious young Englishman is entranced from the moment he first sees her. But their love is forbidden, and comes at enormous cost.

Weaving together the uneasy meeting of two cultures, The Pagoda Tree is a captivating story of love, loss and fate.

Buy the book.

See the book trailer.

Read an extract.

Contact Claire on FacebookTwitter and on her website.

November update: Jane Skelton (see below) commented:

I picked up ‘The Pagoda Tree’ at a friend’s place and began reading while she was dressing to go out. I love the enticing pink and green cover. I decided it’s a ‘can’t put it down’ kind of book from the the bit I read. But I couldn’t very well slip it into my bag! The prose is very vivid and filmic. It’s on my Christmas reading list for sure. I’m really interested to see how Claire Scobie brings to life a very different time and culture and resolves the story of Maya’s destiny. It’ll be one to take travelling.

JANE SKELTON, Lives of the Dead (and other stories)

Lives of the DeadIn this short story collection, Jane Skelton writes cool prose about hot landscapes, about characters seeking relief from strong emotions. Her characters twist and turn in the violent weather that is trying to break them, while inside their bodies the turmoil is as great as or greater than the outside world.

Combined with the spare prose, the emotion of the weather and the landscape is almost unbearable, except that, like waiting for the southerly buster on a hot afternoon, we wait to know what will happen to these characters. Will the storm pass over the islands, will it rain in outback Queensland and take the pressure down?

These evocative descriptions of the Australian landscape and keen observations of the people who inhabit it, bring to mind Thea Astley and Jessica Anderson.

Lives of the Dead is a haunting and lyrical debut collection by a talented writer.

Meet Jane at her website.

Buy the book online or in good bookshops.

See the book trailer.

Jane’s November update: 

I’m interested in all the books here – it’s great to be part of this site and conversation. I’ll be checking back each month for updates… I’ve had a really good review by Heather Lunney on the NSW Writers’ Centre’s website.

HEATHER TAYLOR JOHNSON, Pursuing Love & Death

Pursuing Love and DeathIt is customary to bring gifts to a wedding.

But as daughter Luna prepares to marry her dream husband, the Smith family instead have in tow their own idiosyncratic brands of emotional baggage.

Her father, Graham, struggles to write his own own obituary; her mother, Velma, attempts to negotiate her mid-life crisis with a lover seventeen years her junior; her brother, Ginsberg, tries to come to term with being a homosexual who has inadvertently fallen in love with his wife.

Pursuing Love & Death is a darkly comic family saga, written with wit, lyricism and poignancy.

The storyline is believable, tragic and hilarious as clashing personalities unite for the first time in years — with explosive results.

Meet Heather at her blog.

Buy the book at Amazon.

Heather’s November update:

My book has been reviewed in the Advertiser by Katherine England … 

Heather has also done a wonderful review of Margaret Merrilees’ The First Week. Read it at the bottom of this page.

CHRISTIE THOMPSON, Snake Bite

Snake BiteJez is seventeen and lives with her alcoholic single mum in in a government rental in Canberra’s outer-suburbs, with little money or future prospects. As well as suffering from terminal boredom, Jez has got epic First World Problems: where is her next pill coming from, what will her first tattoo be, and how will she ever lose her virginity?

Over the course of one blazing summer, Jez runs a gauntlet of new experiences and discovers the real meaning of home. Filled with humour, brilliant observations and raw revelations, Snake Bite is a coming-of-age story of a wild teenager in a Canberra you never dreamed existed. It will sink its fangs into, inject you with its intoxicating venom, and never let you go.

Read reviews at ABC’s Books and Arts Daily, That Book You Like blogGoodreads and Sydney Morning Herald.

November update: 

Erin Stewart reviews just_a_girl (see above) and Snake Bite for Birdee Magazine.

FRIDAY NIGHT FICTIONS REVIEW: Heather Taylor Johnson looks at Margaret Merrilees’ The First Week

I read Margaret Merrilees’ The First Week during my first week of convalescence with shingles. Having been too uncomfortable to move, reading seemed a good option and thus far I had read Flanagan’s The Narrow Road to the Deep North (dare I say it? Yes, yes I do: the next Miles Franklin) and Barracuda (by the author I think is doing something really important for our booming Australian identity, the brilliant Christos Tsiolkas). After such heavyweights, I was prepared to settle back into something less confronting, get off that obsession-train one sometimes finds herself on when reading back-to-back stunners of novels. But then I read the first paragraph of Merrilees’ book, and I simply couldn’t stop reading until I was through. Such was my fascination with Marion, the sixty-plus year old protagonist who finds herself way in over her farm-living head when her city-based son is found guilty of murdering two strangers in a grocery store, that I read the book in one day. It was a fantastic commentary on character, on Australia, and on where the two rally. A perfect triumvirate: Flanagan, Tsiolkas and Merrilees. And now I’m onto Winton. Will the goodness ever end?

FRIDAY NIGHT FICTIONS REVIEW: Sharon Kernot also responds to Margaret Merrilees’ The First Week
When Marian receives a phone call with the news that her youngest son has committed a serious crime her life changes dramatically and permanently. Prior to the incident Marian’s life is tough but predictable and seemingly dull. She has been a widow for many years and brought up her two sons on her own on a farm near the Stirling Ranges in Western Australia. Her eldest son stayed on at the farm while the younger one went to Perth to study at university.

 The novel follows Marian’s first week after she receives the news that her youngest son, Charlie, is in trouble and, it turns out, has committed murder. She is understandably devastated and as she travels to Perth to find out exactly what has happened she is overwhelmed with confusion and grief and despair. She wonders how her son could do such a thing. She also wonders about her relationship with him and what might she have done to cause it. Who is to blame? And why?

When she arrives in Perth, Marian meets with Charlie’s friends and it becomes evident that his life is completely alien. He is like a stranger and his values are now opposed to those that he grew up with. His social activism and choice of friends are initially bewildering to Marian. Her opinions regarding racism, sexuality and farming practices are challenged and over the course of the week Marian struggles to reconcile these views. It is a strange and bleak time and Marian moves through it in a fog of sleep-deprivation doing things she would not normally do. At one point she allows herself some comfort with a stranger, and even goes back to his hotel room.

When Marian heads back home to the farm she does not have all the answers she hoped for. The motivation behind Charlie’s crime is not fully resolved but she has much to think about and her view of the world has changed considerably.

 The First Week won the 2012 Wakefield Press Unpublished Manuscript Award at Adelaide Writers’ Week and it is easy to see why: it is instantly gripping and I was compelled to read on. Marian’s struggle to come to terms with her son’s actions, her grief, despair and confusion are insightfully and compassionately articulated, and the Western Australian environment — its dry salt-damaged landscape is beautifully and evocatively depicted.

Friday Night Fictions: September 2013

Howdy folks and welcome to the September edition of Friday Night Fictions, a monthly club set up to promote the work of debut authors (and short story/microfiction writers: where are you hiding?) both local and international, working in any genre or format (ebooks and indie authors welcome). There’s a sea of talent listed below. I hope you will read these new writers, let them and us know you think, and help them on to pursue their next book. I look forward to your comments and reviews on the blog.

If you want to be included in Friday Night Fictions, see the guidelines. And check out the August edition: I have updated with reviews where people have sent them to me. If you are featured in August or September, and have new reviews, interviews or social media links to mention, let me know…

Last month I announced that I would feature Nina Smith, and her book Hailstone, on the blog. Look out for a profile and review early next week [here it is…].

And to be featured from the September club? Michael Adams‘ YA debut, The Last Girl, brings this great writer on film and pop culture (and you may have seen him on SBS talking about movies) into the fiction realm. I look forward to hanging out with him in late October…

If I have missed anyone (it does happen), let me know, and I’ll add you to the October club.

*

MICHAEL ADAMS, The Last Girl

Michael Adams, The Last GirlThe end of the world happens in an instant. But it’s not caused by an asteroid or zombies or any scenario we’ve ever conceived. The apocalypse comes from within us. One second we’re wearing our usual social masks — and the next our every secret thought and feeling is exposed as a global telepathic outbreak drowns humanity in a psychic tsunami.

Within minutes, suburbs erupt in madness, cities explode in flames and countries collapse in chaos.

Sixteen-year-old Danby Armstrong is protected from the worst of the phenomenon because while she can tune into other people’s minds, no-one else can read her thoughts.

But it’s not much consolation when her family implodes, her neighbours start killing each other and every road out of town offers only more death and destruction.

Set in a very recognisable near-future, The Last Girl combines literary and pop-culture smarts with spectacular action in a frightening scenario that echoes our obsession with constant connectivity.

Buy the book.

See Michael talking about his YA novel.

November update:

Kirsten Krauth reviewed The Last Girl and interviewed Michael Adams for her September debut author profile.

 

ROSS CROTHERS, Running Dead

Ross Crothers, Running DeadAn exclusive London hotel. Two shots, two men executed. Ten years earlier they helped convict a conman. Ash Todd of the Australian Federal Police assisted Scotland Yard in that case. Now The Yard has called him in again.

The search for the killer propels Todd across Europe, the US and the Caribbean. In every city his life is threatened, his trust betrayed, his every move anticipated.

Worse, on the cusp of a breakthrough, The Yard seemingly withdraws support — which leaves him hanging.

Did they really want the case solved — or were they just Running Dead?

Alone and increasingly isolated, he can rely on no-one but himself. With a mounting death toll, and twists in the end that leave him distraught, Todd discovers some vital truths — to the murders; to the 10-year-old fraud case, and ultimately who had betrayed him.

Buy the book (paperback or e-book) from Ross’ website .

Read an extract.

SAM ELLIOTT, Sisters of Satan

Sam Elliott, Sisters of SatanIt all began as a fairytale…

Fast forward to a devastating text from Amelia and this magical evening becomes a terrifying nightmare. Devastated, Seth soon commits to drinking himself into oblivion.

Dead drunk and thirsty for conflict, the wayward soul stumbles into adesolate park.

Reality returns, Seth finds himself naked and shackled to a wheelchair, listening in disbelief to their unspeakable plans, his death wish may be answered but now he decides he wants to live.

To do that he will have to break free and rise against sadistic monsters.

The Sisters of Satan intend to carve him up and feast on his soul. Seth is all that stands between an endless rampage leaving many dead in its wake—a journey taking him through a labyrinth of blood and fire to a vicious showdown with the sisters in the arena where their wicked ways were born.

Buy this book from: Customs Book Publications, Amazon.com, Angus and Robertson.

Read extracts.

DAVID M HENLEY, The Hunt for Pierre Jnr

David M Henley, The Hunt for Pierre JnrThis is a return to classic science fiction with a contemporary spin. While juggling a pacy storyline, filled with unexpected turns, David M Henley brings fresh ideas to the genre.

Book one of a trilogy, The Hunt for Pierre Jnr begins in 2159 CE. There has been fifty years of peace since the great collapse and a complex but egalitarian society controls the planet, but the foundation of their peace is rocked when a psychic event destroys a suburb of Paris.

Nobody is really sure who was responsible, but many believe it is the semi-mythical child Pierre Jnr.

This triggers a capsizing in the governing hierarchy and a new harsher Prime takes over the operation to find and pacify Pierre Jnr.

“I was deeply impressed with the way that neither side (and there are definitely sides to be taken) has a monopoly on what is absolutely right.” Read review.

Meet David at his website.

Contact him on Facebook and Twitter.

Buy the book.

JANE JERVIS-READ, Midnight Blue and Endlessly Tall

Jane Jervis-Read, Midnight Blue and Endlessly TallWhen Jessica, a recently divorced mental-health carer, meets her new patient, Eloise, their lives quickly become entangled. The boundaries of their roles begin to dissolve and questions from the past are uncovered, revealing the fractured histories that brought them together.

Midnight Blue and Endlessly Tall is an original and unpredictable novella about the relationships that consume us when we’re least expecting it.

Winner of the 2013 Viva La Novella Prize.

“Jane Jervis-Read’s beautiful little book … kicks above its weight … and shows the power of leaving things unsaid.” Cate Kennedy

Buy the book.

November update:

Jane read Ellie Marney’s book (see below) and commented: Just finished ‘Every Breath’ in two sittings. Total page-turner with a well-crafted plot and interesting characters. Loved every… breath of it.

SALLY-ANN JONES, Stella’s Sea

Sally-Ann Jones, Stella's SeaStella moves from her wheatbelt family home to a run-down house in Cottesloe on WA’s coast. Her daughter, Miff, has died in a motorbike accident; her husband can’t bear to look at her; her father is in a nursing home; her brother is overseas. Her only company is her daughter’s dog.

Every morning Stella walks with Miff’s dog along the beach. She’s not a part of the scene even though she’s conspicuous in her beekeeper things and mismatched garments.

Her yellow scarf sparks the interest of Ari, an ex-prisoner and coastcare volunteer. As a new friendship slowly forms, Stella recollects her past to deal with her present. But can she acknowledge the guilt that prevents her from moving into the future?

Stella’s Sea is a beautiful novel about the symbiotic nature of life: bees and orchids, loss and love, nurture and growth.

This novel will be released in October.

Pre-order from UWAP.

Read an extract.

KIRSTEN KRAUTH, just_a_girl

Kirsten Krauth, just_a_girlLayla is only 14. She cruises online. She catches trains to meet strangers. Her mother, Margot, never suspects. Even when Layla brings a man into their home.

Margot’s caught in her own web: an evangelical church and a charismatic pastor. Meanwhile, downtown, a man opens a suitcase and tenderly places his young lover inside.

just_a_girl tears into the fabric of contemporary culture. A Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Or never get the chance to grow up at all.

Read an extract.

Book Club Notes are available.

Meet Layla on Pinterest.

Buy the printed version at ReadingsBooktopia or Amazon.

Read the ebook on Kobo. International readers please contact me direct…

See reviews of just_a_girl here.

Contact Kirsten at Goodreads, her blog (Wild Colonial Girl), Facebook and Twitter.

You can see her read from her work at the Sydney book launch, along with Emily Maguire (who introduced it).

DARCY LEE-TINDALE, Her Story, My Story

Promise anthology by PenguiDarcy’s short story features in the Penguin anthology: Promise.

This anthology includes the top 15 stories selected from over 400 entries in the Monash Undergraduate Short Story Prize.

The book was organised by the Emerging Writers’ Festival.

Darcy is a dramatic arts teacher, director of stage productions, actor, author, theatresports player, puppeteer, and has appeared in TVC, film and on stage.

Her plays, poems, articles, short stories, radio satire and comedy skits have been published, performed and received numerous awards.

She’s studying a BA in Creative Writing.

Buy the ebook from Penguin, iBooks and Amazon.

ELLIE MARNEY, Every Breath

Ellie Marney, Every BreathRachel Watts has just moved to Melbourne from the country, but the city is the last place she wants to be.

James Mycroft is her neighbour, an intriguingly troubled seventeen-year-old who’s also a genius with a passion for forensics.

Despite her misgivings, Rachel finds herself unable to resist Mycroft when he wants her help investigating a murder.

He’s even harder to resist when he’s up close and personal — and on the hunt for a cold-blooded killer.

When Rachel and Mycroft follows the murderer’s trail, they find themselves in the lion’s den — literally. A trip to the zoo will never have quite the same meaning again …

Sizzling chemisty and urban intrigue combine in this thriller from a fresh, exciting new talent.

Buy the book.

Meet Ellie at her website.

November update: Jane Jarvis-Read (see her book above) commented:

Just finished ‘Every Breath’ in two sittings. Total page-turner with a well-crafted plot and interesting characters. Loved every… breath of it

FIONA McFARLANE, The Night Guest

Fiona McFarlane, The Night GuestRuth is widowed, her sons are grown, and she lives in an isolated beach house outside of town.

Her routines are few and small. One night, she wakes to hear a tiger walking around her lounge room.

The next day, a stranger arrives at her door, looking as if she’s been blown in from the sea.

This woman — Frida — introduces herself as a care worker sent by the government. Ruth lets her in.

How far can Ruth trust the mysterious, magnificent Frida?

And, with a tiger on the prowl, how far can Ruth trust herself?

Meet Fiona on Facebook.

Buy her book.

Read an extract.

JENN J McLEOD, House for all Seasons

Jenn J Mcleod, House for all SeasonsFour women. Four lives unravelled. The truth will bind them forever.

Bequeathed a century-old house, four estranged friends return to their hometown, Calingarry Crossing, where each must stay for a season at the Dandelion House to fulfil the wishes of their benefactor, Gypsy.

But coming home to the country stirs shameful memories of the past, including the tragic end-of-school muck up day accident twenty years earlier.

Sara, a breast cancer survivor afraid to fall in love;
Poppy, a tough, ambitions journo still craving her father’s approval;
Amber, a spoilt socialite addicted to painkillers and cosmetic procedures;
Caitlin, a doctor frustrated by a controlling family and her flat-lining life.

At the Dandelion House, the women will discover something about themselves and a secret that ties all four to each other and to the house—forever.

Buy, read a chapter, read the reviews at Jenn’s website.

ANDREW NETTE, Ghost Money

Andrew Nette, Ghost MoneyCambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan.

But Avery has made dangerous enemies and Quinlan is not the only one looking. Teaming up with Heng Sarin, a local journalist, Quinlan’s search takes him from the freewheeling capital Phnom Penh to the battle scarred western borderlands. As the political temperature soars, he is slowly drawn into a mystery that plunges him into the heart of Cambodia’s bloody past.

Ghost Money is a crime novel about Cambodia in the mid-nineties, a broken country, what happens to those trapped between two periods of history, the choices they make, what they do to survive.

Visit Andrew’s website.

Buy the book at Amazon.

Insight into how Andrew came to write the novel.

Andrew’s October Update:  

Ghost Money got this very favourable review on the travel website Vagabonding and will be for sale at The Readers Feast Crime & Justice Festival, 15-17 November 2013, where I will also be interviewing Australian author, Garry Disher.

HAVE YOU READ ANY OF THESE DEBUT NOVELS YET? ANY REALLY GRAB YOUR ATTENTION? I LOOK FORWARD TO HEARING YOUR THOUGHTS ON THE SEPTEMBER CLUB.