Posts in just_a_girl

Every holiday was father’s day: writing fathers + daughters at Clunes Booktown

At Clunes Booktown, I shared the stage with my dad for the first time (at my first festival) and we talked about writing fathers, writing daughters, creating unique voices (we both feature 14-year-old girls in our work), what our characters share, how we translate family stories into fiction, and whether our memories ever come at things from the same angle. It was a very moving session for both of us (perhaps more than the audience realised), a sharing of ideas, sad moments, and joys too.

Here are the edited highlights (thanks to Damon Girbon for the video and editing):

Dad (Nigel Krauth) is a writer who’s had many novels published, both for adults and YA audiences. He wrote a play Muse of Fire that was performed by the Adelaide Theatre Company and directed by Keith Gallasch (now the editor of RealTime, where I worked for many years). His first book, Matilda My Darling, won the Vogel Award, and since then his novels have gone on to win a number of awards, including the NSW Premier’s Award for JF Was Here.

Although my parents separated when I was young, I spent school hols with dad. Sleeping in his study, I saw the hard work involved in bringing fiction to life. I had no romantic ideals about being a writer. I thought it involved hard yakka, building words like bricks. My dad often seemed in a state of distraction or excitement about a breakthrough. I never really thought I would be a fiction writer, not until I was in my mid 30s and struggling with the world. A friend pointed out that I needed a creative project to survive it all. And she was right. I’m not sure dad was ever too keen on me being a writer. Perhaps one in the family is enough. Perhaps it came as a bit of a shock.

Sin Can Can: I’ve been to Bali too

SinCanCanCoverDad’s first YA book, Sin Can Can, was released when I was 14 and it was basically about me. My picture is on the front cover (have I changed that much?) riding on the back of a motorbike. Inside is a dedication to me. I was both thrilled and rolling my eyes when it was released. Dad came to boarding school (I got a scholarship, ok) and read it out to my class. I sat in the back with my head on the desk, proud and cringing at the same time. But  it was so funny and had that perfect Dolly pitch of the time. The voice is fresh, direct and dynamic, bringing to life many of my passions. I was obsessed with music, and boys of course. I loved junk food. I went to boarding school in Years 7 and 8. I found boarding school tough. A private person, I hated the open dorms where you had to sleep, the locks that didn’t work on the showers, the continual noise so I couldn’t read a book — and the rules, those bloody rules (having to wear a skirt to dinner, having to serve the older girls at dinner time). But the book reminds me of the good times and the lingo: tinned tomatoes known as ‘abortions’, the gardener who we all drooled over in his khaki shorts, the Alpines we pretended to smoke.

When research goes awry

The sequel to Sin Can Can was called I Thought You Kissed with Your Lips. It was banned in Queensland for its very erotic description of putting a condom on a cucumber. I think it was a cucumber. You don’t want teenagers learning how to put a condom on. No. Dad likes to do intense research. He’s almost like a method actor. He likes to go on location. Take on a role. Me? Not so much. I’m more into psychological studies. I begin by getting inside someone’s head. And the drama comes from there.

Nigel Krauth, serious writer shot
Nigel Krauth, serious writer shot

But one thing our books share is location; as writers (and characters) we are drawn to Surfers Paradise. It’s the contradictions that fascinate us both, and contradictions are what teenagers are all about. .

When I was researching just_a_girl, I found out more about teenage girls by listening and observing when they didn’t know it, rather than asking directly. When I was a teenager, even with liberal parents, even though I knew I wouldn’t get in trouble, I still didn’t share much. I was pretty sensible. I was the one cleaning up the vomit rather than the one paralytic. I was too hellbent on control to take drugs. I didn’t like inhaling so smoking and marijuana weren’t really my thing. I didn’t like the idea of snorting up my nose so coke was out. And injections? Not a chance in hell. Now I wonder how I can raise my kids to be like that? To be independent yet safe? But I have to admit defeat. I know I can’t really guarantee it. And it scares me. But I pretend to myself that I can find out what they’re doing on their iPads. Or whatever they’re using in ten years’ time.

There’s a fraction too much friction

Having a writer around, family members and friends need to be careful. When I was growing up, everything was ‘grist for the mill’. I knew that, but I still didn’t always welcome it. All writers collect material from everywhere, waiting for the right moment to add it to the mix – or the moment waits for us, which is how it seems to work for me. Dad is more cavalier about using other people’s stories in his own work, seeking to camouflage it in some way. When I use a story relayed by someone else, I tend to ask permission and show them the text; I feel more comfortable.

You can’t handle the truth!

just_a_girl by Kirsten KrauthOften people ask you which parts of the book are based on the truth. While this is a complex question that would take a PhD to answer, there are parts of just_a_girl where I have translated almost word for word something a family member or friend has told me. Often these are conversations I didn’t want to hear at the time, for example, my dad telling me about having a trip on hash, and wanting to strangle me when I was a baby (watch the clip).

When I was in my 20s, Dad contributed to a collection called Daughters and Fathers (edited by Carmel Bird), an essay, nonfiction. I had been happy to hide behind the disguise of fiction, but seeing myself represented in nonfiction was completely different. This felt like an expose. I was glad, this time, that dad sent me the final essay for approval before publication. Because there were things in the original that I didn’t want the world to know. As it is, it’s still pretty brutal. But through all his work I now see Dad’s drive for connection with me, his daughter. It was made clear to me at Clunes, but it’s something that I couldn’t see before.

But still, there are things I have always kept hidden from Dad, knowing he might use it one day. Perhaps Layla emerged out of that secretive side, exposing the darkness of teen life.

Fathers and daughters: shared meanings

My favourite part of the Clunes session was where Dad and I selected parts of each other’s work to read, that had transported us, represented us, made us laugh or cry.

Dad was brave for selecting the most emotional scene for him in just_a_girl, the case of the missing kittens. While I took a safer route in Sin Can Can, enjoying the comic yearnings of a teen desperate to escape her hippie parents.

And, finally, we agreed on many things throughout the conversation that surfaced at random: how writing comes from and through the body; how our work teases at power, politics and sexuality; and how choosing the right name for our characters is fundamental to getting our work going.

 

Bendigo Writers’ Festival: girls, grief, guts

On the radio oh oh

Kirsten Krauth + Jenny Valentish, Radio National's Life Matters, Bendigo Writers Festival
Kirsten Krauth + Jenny Valentish, Radio National’s Life Matters, Bendigo Writers’ Festival

The Bendigo Writers’ Festival kicked off with ABC Radio National’s live broadcast from the Banquet Room in the Capital theatre.

Fellow Castlemaine writer, editor and troublemaker Jenny Valentish joined me to talk with Natasha Mitchell (Life Matters), Michael Cathcart (Books and Arts Daily) and Fiona Parker (ABC Central Victoria) about girls growing up too fast and what it’s like to be a regional writer.

Both of us have ended up in Castlemaine via circuitous routes but she wins — Jenny’s from Slough, UK. (I vaguely remember The Office being set in Slough. Great claim to fame there.) Our novels Cherry Bomb and just_a_girl are quite eerie in their shared sensibility: teen girls moving through the world with irony, detachment and the desire for sexual conquest.

You can listen to the Radio National broadcast for more. The two-hour radio show was a real highlight, with local guests including Robyn Annear, who shared her art for shaping history into stories that come alive.

Girl, you’ll be a woman soon

Nicole Hayes, Kirsten Krauth, Jenny Valentish + convenor Julie Proudfoot, Girl You'll Be a Woman Soon, Bendigo Writers' Festival
Nicole Hayes, Kirsten Krauth, Jenny Valentish + convenor Julie Proudfoot, Girl You’ll Be a Woman Soon, Bendigo Writers’ Festival

I’ll let you in on a bit of a secret. It can be quite hard to get the powers that be to take teenage girls seriously, to consider them as the smart, complex, contradictory creatures that they are.

When you talk of Coming of Age you tend to think of Catcher in the Rye, the ‘universal’ story of growing up.

But what of teen girl voices? How do they fit into fiction aimed at adults? Or male-dominated worlds like football?

In this session, Jenny Valentish, Nicole Hayes and I talked of the Coming of Age novels that influenced us most including Puberty Blues and Are You There God, It’s Me Margaret? 

We spoke of writing sexuality, of our responsibility (or lack of) to readers and how our styles reflect where we come from.

Thanks to Mentone Mif who did a little summary of the session.

She’s a brick and I’m drowning slowly: The Neighbour

Kirsten Krauth + Julie Proudfoot, launch The Neighbour. Thanks to Klare Lanson for this post postmodern shot.
Kirsten Krauth + Julie Proudfoot, launch The Neighbour. Thanks to Klare Lanson for this post postmodern shot.

After having wonderful writers like Emily Maguire and Angela Meyer take me in hand and launch my book, it was exciting to be asked for the first time to launch someone else’s.

Julie Proudfoot is a Bendigo writer who I’ve enjoyed getting to know over the past year.

Her award-winning novella The Neighbour is a beautifully written contemporary novel about grief, responsibility and a man gradually disintegrating under pressure while a small child looks on.

At the launch, Julie spoke about her desire to trace mental illness, why she loves to write in Bendigo, how she seems to have the keys to men’s sheds and feels comfortable there, and cruelty to animals (and what it can reveal about character).

It’s great to see publishers like Seizure taking a punt on publishing novellas because I love how the shortened form can add extra intensity.

You can find out more about Julie at her blog Passages of Writing and read a review of The Neighbour by ANZ Lit Lovers.

Watching the detectives

Angela Savage, announced in the shortlist for the 2014 Ned Kelly awards.
Angela Savage, announced in the shortlist for the 2014 Ned Kelly awards.

I’m dreaming of festival panels that mix children’s illustrators with horror writers with rural romance aficionados. Why do crime fiction writers (or other genres for that matter) always have to be lumped together in the programming as if they can’t participate with the Serious Writer Writers?

Garry Disher made this point in the highly entertaining session with Michael Robotham and my good buddy Angela Savage.

They talked of writing crime set in Asia, what it’s like to tour in Germany with an actor who goes on the road translating for you (attracting a handy crowd) and how it can be a mistake to just make things up in a police procedural.

After the session, Garry Disher and Angela Savage were named in the shortlist for this year’s Ned Kelly awards (this is Angela’s third nomination for the three in her trilogy).

Free drinks and cheese platters led to a night on the town with crimesters Andrew Nette and Michael Robotham who regaled us with stories behind his 15 ghostwritten books.

But if I tell you any more I’ll have to kill you and then he’ll have to kill me.

*  *  *  *  *  *

Bendigo Writers’ Festival continues my love affair with regional festivals. There is something about wandering along the street dipping in and out.

My only struggle was the staggered times, meaning I missed out on many sessions before and after mine. Hopefully next year events will be at the same time, with a few minutes for a coffee and chat inbetween.

Other highlights included John Van Tiggelen, Sue Woolfe, Mandy Sayer, Matt Blackwood, Jane McCredie, Natasha Mitchell and Christie Nieman.

And good onya Rosemary Sorensen for programming more local writers into this year’s events and encouraging uni students to take part in the conversation too. It meant a vibrant and energetic mix of speakers and punters.

Shyness is nice: the beauty of inarticulation

An autobiography of Christos Tsiolkas
A biography of Christos Tsiolkas

At the recent Sydney Writers’ Festival, David Marr did a wonderfully incisive interview with Christos Tsiolkas, author of Dead Europe, The Slap and, most recently, Barracuda. Throughout the session, in response to Marr’s questions, Tsiolkas took many minutes to speak, occasionally with his head in his hands as if trying to squeeze out the answers. The loud silence filled the room. But when he finally was able to seize the words, his ideas were rich in detail, nuanced, worth waiting for. Marr quipped that ‘he writes loudly and speaks quietly’.

As I waited patiently for Tsiolkas to frame himself, I realised how rare this was: the chance to see a writer composing, having the courage to be uncertain, to not reach for the quick answer, to feel, as Tsiolkas said, a ‘real sense of responsibility … to what language means’. While Tsiolkas initially saw his writing as an effective way to channel rage (against himself, against others), he also wanted to fight off the ‘bad habit’ of being nice. Marr responded: ‘But you are nice, aren’t you!’ Being a writer, and performing in public, is so often about trying to reconcile these contradictory forces.

In her memoir Shy, Sian Prior uses this perceived dualism as a literary device. She intertwines the thoughts of Shy Sian (the interior monologue of a woman whose hands shake at parties, who’s always on the periphery, who runs for cover when things get too rough) with Professional Sian (the radio announcer and interviewer; the teacher; the activist; confident in front of crowds). When Prior takes to the stage or the street, she’s always anxious her shy version will seep through, but Ms Professional usually comes to the rescue. The whole book is searching for what Prior is really afraid of. Rejection? Grief? Being alone? Vulnerabilty?

If you’re feeling shy, you’re worried about something. If you’re a persistent worrier, you’re anxious. If you’re anxious, your mind enters into a pact with your body, sending it into the world with an armoury of self-protective physical responses. Danger! The adrenaline, the sweating, the rapid breathing, all preparing your body to run. Ensuring your hands will shake but your legs will move faster when you need to take off.

Except that you’re never sure why you needed to take off so fast in the first place.

Shy is the first book by Sian Prior
Shy is the first book by Sian Prior

What Tsiolkas does, in those long moments of public hesitation, is let us in, share some hidden part of him. These days, there is much pressure on writers to be perfectionists in all aspects of their lives. Not only on the page but under the spotlight too. To have the right answers. To be funny. To give the audience what they want. To be entertaining. But vulnerability can be a powerful thing.

In Brene Brown’s very popular TED talk (over 15 million hits) on vulnerabilty, she interprets shame as the ‘fear of disconnection’. While Prior in her memoir may be keen to do all the research and categorisation (shyness vs introversion vs social anxiety), the residue of her writing, the success of her book, is when she meditates on loneliness and what it means to feel ashamed, to wear a mask in public — and how she tries, often unsuccessfully, to get beyond the ‘I’m not good enough’ to build relationships with others.

It’s something I’m all too familiar with. A year ago, my first novel was released. It’s about a 14-year-old girl caught between the private and public worlds. It’s about characters who fail to connect. But most of all, it’s about the grey area: those gaps between what the characters want to do and say, and what they actually manage. As the time came for the book to be released, there was the slow dawn of dread: that I would have to stand up in public and articulate. In the past I had quit jobs, taken to my bed, manipulated and evaded, to avoid exposing myself. I had stayed in my comfort zone. Behind words. A computer screen. Like Prior I had run from a party in my teens, a panic attack in the car, paralysed. I had called on Professional Kirsten many a time, to various degrees of success. But I had never stood up for myself.

Tara Moss's memoir The Fictional Woman covers some of the same ground as Sian
Tara Moss’s memoir The Fictional Woman covers some of the same ground as Sian Prior’s Shy

It wasn’t looking good. The first call came out for radio interviews, appearances at bookshops, public readings. The fear in my guts started to bleed out. My brain quickly sought angles and innovative ways to say no. Like Prior, I was a master of the what ifs. But then it finally came to me. If I couldn’t stand up and talk about my own book, where could I go? I know! I could be cultivated as mysterious, hermit-like, Patrick White. Who was I kidding? A debut author can’t do that these days. Perhaps that was the problem. Like Prior, I was shy and mysterious — even to myself. I gave myself a pep talk. I had chosen this career as a writer. I had been lucky to be able to do it. The process, and the result, was a joy to me. It was something to share. And in the end it came down to six very small and extraordinarily powerful words: ‘Whatever I do is good enough.’ No what ifs. No buts. No calling in sick. Leave it at that.

Tara Moss’s memoir, The Fictional Woman, is a good companion piece to Shy, and shares some of Prior’s themes: how pain is written in and on the body; how others’ perceptions can be elevated above your own; how beauty can be worn as a shield; and how science, stats and semi-truths can be interweaved to make a compelling narrative. But in both these books, what it all comes down to is sharp writing. While Moss’s book is themed around common (mis)conceptions, Prior uses wonderful sleight-of-hand to draw me in and push me away: lists, short chapters, vivid description, strong characterisation, positing herself as the unreliable narrator, juxtaposing the two Sians in interviews, bold statements, wry humour, and the charm (and betrayal) of falling in and out of love:

On the computer screen we could be nutty, nuanced, nonchalant. Nothing seemed to be at stake, nothing required except to entertain each other with words. We told each other stories from our past, we compared our reactions to novels we’d read, we even offered tidbits of regret about past relationships. Writing to Tom, I felt weightless.

 And in one of those early emails, when I confessed to being shy, he simply replied: As Morrissey says, shyness is nice.

 I felt like I’d been found.

A year on from releasing just_a_girl, a piece of my identity has clicked into place too. The Land of Writers is where I feel I belong. Writers are weird, shy, crazy, eloquent, bumbling, provocative, curious, fringe dwellers — and often drink too much. Just like everyone else I like, really. As I challenge myself on the festival circuit, many writers have come up to me, confessed their own fears, keen for guidance. They’re shy. They’d rather be looking on. It doesn’t come naturally to them. They want to run. I feel their pain. But I can now point to Tsiolkas and Prior and Moss. Do I think any less of them (as writers, as people?) now I see their vulnerable side? Do I judge them critically, knowing what I do? In reality, it’s exactly the opposite. What remains is enormous respect — and a desire to know more about them (as writers, as people). Just read any blog about how to cope with mental illness, how to move through grief, how to come out as an introvert (via Susan Cain), and go to the comments section. People want to see the inarticulate, the not-so-slick, the grasping for meaning; it’s what generates passion and compassion in the reader.

Sian Prior’s memoir may not be a how-to or reveal-all, but it does connect. It dares me to challenge my own perceptions, see beneath the surface, and come out the other end, shyness intact. She has a talk on shyness coming up at the Wheeler Centre tonight. I hope it’s Shy Sian rather than Professional Sian who turns up on the night.

 

A version of this article originally appeared at the Wheeler Centre’s daily blog.

I have a Facebook page too. If you could LIKE I would surely LOVE.

 

 

 

Here and Now: Felicity Castagna and me – Varuna/Sydney Writers’ Festival

Kirsten Krauth, Felicity Castagna + Irina Dunn, Varuna/Sydney Writers' Festival. Photo:
Kirsten Krauth, Felicity Castagna + Irina Dunn, Varuna/Sydney Writers’ Festival. Photo: Bette Mifsud.

When you go up on a stage to talk about your book, the harsh spotlight and the mics and the intense concentration and the nerves means the event can fly past you even as you’re experiencing it. Something like smoking too much pot.

I was going to dredge up my disconnected and whimsical memories but — thank God — I discovered Lisa Fleetwood’s Welcome to My Library blog, which covers it so much more eloquently than I could. She’s kindly agreed to do the work for me, and let me reproduce it here…

HERE AND NOW: DEBUT FICTION AT THE VARUNA/SYDNEY WRITERS’ FESTIVAL: FELICITY CASTAGNA AND KIRSTEN KRAUTH

BY LISA FLEETWOOD

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Wow, what a great start to the Sydney Writers’ Festival! I love the day up at the Carrington Hotel in Katoomba — its such a great setting for a writers’ fest! For this blog post I will just concentrate on the first session as it featured two amazing Australian women writers. I took so many notes, it’s too much for even one blog post.

Two debut writers (but both are by no means new to the world of writing and editing) Kirsten Krauth and Felicity Castagna featured in conversation with Irina Dunn. Both authors have written fiction centred around the suburbs of Western Sydney [Felicity’s is YA; Kirsten’s was published as adult but crosses over into YA], and have explored the lives of teenage protagonists that are forced into maturity early. The discussion was informative and interesting (as a writer and a reader), and chaired brilliantly by Irina.

just_a_girlKirsten Krauth’s novel just_a_girl tears into the fabric of contemporary culture. A Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Layla is isolated and searching for a sense of connection, faith, friendship and healing. The author explores the teenage world of what it’s like to grow up negotiating the digital world of Facebook, webcams, internet porn, mobile phones and cyber-bullying — a world where the line between public and private is increasingly being eroded.

Felicity CastagnaFelicity Castagna’s novel (which has been short-listed for a NSW Premiers Literary Award & the Children’s Book Council of Australia Book of the Year: Older Readers) tells the story of Michael, whose older brother dies at the beginning of the summer he turns 15, but as its title suggests, The Incredible Here and Now is a tale of wonder, not of tragedy. It tells of Michael’s coming of age in a year which brings him grief and romance; and of the place he lives in Western Sydney and its mix of cultures. Through his perceptions, the reader becomes familiar with Michael’s community and its surroundings, the unsettled life of his family, the girl he meets at the local pool, the friends that gather in the McDonald’s parking lot at night, the white Pontiac Trans Am that lights up his life like a magical talisman.


 Irina began the discussion about the environment of the novels. How did the authors create the sense of place?

→For Felicity, Parramatta was a place she knew well, had walked and worked and lived in, and was fascinated by the mix of cultures and the small spaces where people gather — the Macca’s carpark, the Westfield food court, the local shops and the intricacies that make up a bustling city and how a teenager might inhabit that space.

→For Kirsten, her former commute from Springwood to Sydney was a plethora of research fodder for a self-proclaimed semi-stalker of people. She found that a train is a place somewhere in between public and private, a place where not all, but many people, reveal private information in a very public place, especially teenage girls. From the discussion today, I sense that the environment inside and outside the train (regular or irregular passengers, gigantic moths, the beautiful landscape passing by) will feature, but upon reading the book I am sure a further sense of Layla’s space, her inner thoughts and her online world will be revealed.

Both authors talked of wanting to elaborate more with the setting and place.

→Felicity is particularly interested in place-driven novels, but both commented on the need to strip back the description to write a character study rather than setting.

→Kirsten realised that her characters wouldn’t notice the environment as much as she would. Kirsten’s comment struck a chord with me — why hadn’t I thought about that before? I have sometimes used description in my novel as merely a need to get something across to the reader, but would a teenage boy (my protagonist) notice the lines of a building, what it was made of, or the sunlight sparkling on the cascade of a waterfall? Maybe not. Time for yet another edit maybe.

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Kirsten Krauth, Felicity Castagna and Irina Dunn, Here and Now session, The Carrington, Katoomba, Varuna/Sydney Writers’ Festival

The discussion moved on to how the authors captured the teenage voice. How did they do it so well?

→Felicity, as a former teacher in a boys’ high school, had seven years’ experience observing teenage boys and how they speak and react, but within that she wanted to create a poetic, lyrical voice with a teenage usage of similes and metaphors.

→Kirsten was fascinated with what she would sometimes hear on the train, the ease at which teenage girls would freely talk about their escapades (sometimes sexual) in a public space, but she was also interested in the private/public space of the internet and how much could be gleaned about people without their knowledge.

When researching her book (which actually began as a character study), Krauth found that talking to teenage girls didn’t reveal to her the information she was looking for, but all she had to do was sit back and listen — on the train, but also online. Her book also explored the digital medium of lonely people who can’t connect in everyday life but connect online privately on a public medium, or so they think. Krauth found that it didn’t take much to find out where someone lived, what they liked and who their friends were. She found it easy to get inside the minds of teenage girls, so how easy would it be for a sexual predator? Something to think about for me with a teenage daughter. We have had a ‘internet is turned off when Mum goes to bed’ rule for a long time. This rule won’t be changing anytime soon!

What were their influences for these novels?

→Felicity’s childhood YA reading (while living abroad) introduced her to a form of writing called ‘vignettes’ and she used this style to write her novel. A vignette is a short impressionistic scene that focuses on one moment or gives a trenchant impression about a character, idea, setting, or object, or in Felicity’s words — a series of ‘short short stories’. She then puts her stories into linear fashion and fills in the gaps.

→Kirsten’s quotes Room by Emma Donoghue, The Curious Incident of the Dog in the Night-Time by Mark Haddon and Rocks in the Belly by Jon Bauer as influences for their clarity and fresh voice, as well as the naive voice (of a child) and a terrible sense of dread.

Plotter or Pantser?

Definition: Plotter –  Outlines novel before sitting down to write it. Pantser – Sits down at the computer each day, waiting to be surprised, writing your book literally by the seat of your pants.

→Kirsten — definitely a Pantser. She wrote the first draft without planning or plotting and without re-reads or editing. As soon as she mentioned doing her Masters with Sue Woolfe, I knew what she meant! (I will do a blog post about Sue Woolfe soon). I did a fascinating day course with her last year. Her view is that over-planning and plotting limits the imagination, reins it in. Where would our imaginative brains have taken us if we weren’t corralled by a firm plot? Kirsten talked of writing scenes in fragments and moving the scenes around to where they fit best. What voice appears in the story after first draft? What emerges as the heart of the story, the main theme?

→Felicity wasn’t quite as definite. I recall her nodding to the question of being a Pantser. Perhaps she may have been combination of the two, but her form of writing — the Vignettes — leans towards a Panster. These vignettes may have been her first ‘pantser’ draft, then upon second draft spent some time plotting and, as she said, ‘fills in the gaps’. If she reads this post, perhaps she can confirm! It was hard for both authors to answer all of the questions fully with the limited time of the session, or maybe I simply missed her response while scribbling notes.

In closing

There was further discussion regarding multiculturalism and how children perceive it, internet research and the dangers of connecting online, the world of self-marketing as an author, and comparisons between growing up in the 80s compared to teenagers in the digital age. A question from the audience touched on the perception of adults about teenagers, and the discussion led to the intelligence and sensitivity of children and teenagers, and how there is a big gap between their inner thoughts and feelings, and how they present themselves to the world, which could lead to an incorrect perception by adults.

Both authors read short excerpts from their books which gave me a real sense of the characters and the place setting. I am really looking forward to reading and reviewing them.

felicity-castagna

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To read more about Kirsten Krauth click here for her website and Wild Colonial Girl Blog.

To read more about Felicity Castgana click here for her personal website go tohttp://www.incrediblestories.net.au for a teaching guide for her book.

Book images and synopsis from Goodreads.

Read my related articles about Notable Australian Children’s Fiction and the Sydney Writers’ Festival.

 

Festivals: Clunes Booktown, Sydney Writers’ Festival + how to approach them

Alex Miller, Castlemaine-based author and winner of Victorian Premiers Literary Award for Coal Creek, will feature at Clunes Booktown
Alex Miller, Castlemaine-based author and winner of Victorian Premiers Literary Award for Coal Creek, will feature at Clunes Booktown

Before I head into a general ramble about festivals, I’ll get the topical bit out of the way to say: yes, I am in! May is festival time so if you live in Sydney, Melbourne, or the regions surrounding me (Ballarat, Bendigo, Castlemaine, etc), please come and see my fest debuts; it’s always nice to have bums on seats. And I always like to get audience questions from people I already know.

CLUNES BOOKTOWN, 3-4 MAY

This is one of my favourite festivals, where the beautiful old streets are taken over by second hand booksellers; a literary paradise. It’s a nice day trip from Melb or a fun weekender.

I’m excited to be including on the program, doing a session with graphic novelist Nicki Greenberg (where we push the boundaries of the novel), plus I’ll be pushing things even further when I head up on stage for the first time with my dad, Nigel Krauth, also an author (well, he did win the Vogel Award for his first novel Matilda My Darling and the NSW Premiers Literary Award for JF Was Here). We’ll be duelling light sabres and talking about how to write fathers and daughters and how we both get caught up in our own and shared fictions.

My sessions at Clunes:

Sat 3 May: 11.15-12.15, Pushing the Boundaries of the Novel, with Nicki Greenberg, Venue: Warehouse

Sun 4 May: 12.30-1.30, Writing the father Writing the daughter, with Nigel Krauth, Venue: Warehouse

The highly esteemed Alex Miller and Henry Reynolds will also be in attendance. Full programme is available here.

SYDNEY WRITERS’ FESTIVAL, 19 + 22 MAY

Felicity Castagna, Friday Night Fictions author, will be doing a session with me about first novels at Sydney Writers' Festival
Felicity Castagna, Friday Night Fictions author, will be doing a session with me about first novels at Sydney Writers’ Festival

One of the things I love about writers’ festivals these days is that they’re spreading like a virus out of the inner-urban into regional areas. I’m very excited to be appearing in Katoomba in the Blue Mountains (where just_a_girl is set) alongside another debut author Felicity Castagna (whose work appeared in Friday Night Fictions).

Again, city-dwellers could do a great day trip or locals will probably already have their tickets. Apparently they are selling well.

What I’m really keen on is that two of my favourite writers of the moment (Richard Flanagan – YES! – and Emma Donoghue) will also be in Katoomba. I’ll be staying at Varuna, the famous retreat for writers, so I’ll be able to suss it out before returning to hopefully work on the second novel at some point this year.

I never would have dreamed when I was about to launch my book that down the track I would be talking about marketing, but there you go. At Forest for the Trees, an all-day NSW Writers’ Centre seminar on the state of publishing, I’ll be hanging out with Kate Forsyth and discussing how you go about marketing novels, and how social media (and blogging) can help. I like to target these sessions to the modern introvert (like me) who can go a long way to promote their work without moving from their bedroom (except to get the occasional cup of tea).

My sessions at Sydney Writers’ Festival:

Here and Now: Debut Fiction, Monday 19 May, 10–11.10am, Carrington Hotel, Katoomba. (More info – tickets for session at venue or day passes available.)

Forest for the Trees: Writing and Publishing in 2014, how to publish and market a debut novel, Thursday 22 May, State Library of NSW, 10am–4.30pm. (More info – tickets available from SWF website.)

THE GENTLE ART OF APPROACHING WRITERS’ FESTIVALS

Richard Flanager, author of my fave book from last year, will also be appearing in Katoomba as part of the SWF
Richard Flanagan, author of my fave book from last year, will also be appearing in Katoomba as part of the SWF

I don’t tend to think of myself as naive, but if I’m being completely honest, perhaps I’m a bit more like my character Layla than I tend to admit.

Along the marketing ride (I mean gallop)  for just_a_girl, some things have taken me by surprise. One has been the notion of the writers’ festival.

Now I have been going to writers’ festivals since I was a child. My dad Nigel Krauth (see Clunes above) sometimes took me along to his sessions (I remember CUB Malthouse in Melbourne) and I’d watch with pride and awe as he read filthy passages that made me blush and roll my eyes, and fielded questions from the audience as if he was very important. In my twenties and thirties I attended many festivals as a reader, never in quite as much awe, but keen to glean as much know-how as I could, for the day when I would be a famous writer.

But back to earth. Writers’ festivals are quite hard to get into. I didn’t know this. I never did the maths (ie 10,000 aspiring writers does not equal 400 writers in festival program). I thought that once I had a novel published, there it was. I was a WRITER now. I wasn’t emerging any more. I was OUT. THERE. There’s this book in your hand. Anyone can see it. Feel free to programme me.

But no. Like anything else these days, it is no longer just about the book. It’s about the writer. And you have to sell your soul! I mean, your self. This is all about strategy. It’s taken me nearly a year to break into the festival circuit (since just_a_girl was published). Here are a few things that I’ve learnt so far that could help:

Tim Ferguson, author and DAAS (see earlier blog post), will be teaching comic writing at Sydney Writers' Festival
Tim Ferguson, author and DAAS (see earlier blog post), will be teaching comic writing at Sydney Writers’ Festival

1. You need to get in early. It’s good to think about approaching festivals pretty soon after the last one has finished. Not too soon … but.

2. The personal touch works. Don’t just send a media release with a review copy of your book. Write about you, what you’re about, why you wrote your book, how your angle differs from everyone else’s.

3. Offer to do extra stuff. Look you’ll get taken advantage of, but that’s the fucking industry all over, isn’t it! Offer to convene other sessions (if you’re the extroverted type) or blog about other sessions (more my style).

4. Try the regional angle. Of course everyone wants to get into Sydney and Melbourne and they have wonderful prestige and the chance to hobknob but in terms of promoting your books, you might get lost in the crowd…Look for festivals in your area (see Clunes Booktown again!) or check out online databases of literary festivals and try a smaller one that concentrates on your genre.

My good mate Walter Mason (Destination Cambodia) will be appearing with Stephanie Dowrick at Sydney Writers Festival
My good mate Walter Mason (Destination Cambodia) will be appearing with Stephanie Dowrick at Sydney Writers Festival

5. Rejection is hard. The difficult thing about being knocked back from festivals is if you focus on point 2 above, as you need to, it can start to feel personal. Not only does the festival not want the book, they can’t place you as a person either. But each festival director is different, looking for a new angle on old topics. Look at the program and see where you slot in. Try again next time. Try and find another writer working in a similar vein. Are they sexier than you? Good. Use them. Pitch as a team.

6. Look to the experts. I commissioned Angela Meyer, of LiteraryMinded fame, to write a terrific sum-up of how to appear at writers festivals for Newswrite magazine (NSW Writers’ Centre) because she’s been to loads. Her article has since been reproduced at ArtsHub so it’s a great starting point…

AND WHAT ABOUT YOU? DO YOU GO TO WRITERS FESTIVALS? WHICH ARE YOUR FAVOURITES — AS READERS OR WRITERS?

Wild Colonial Girl has a Facebook page too! If you could LIKE I would really LOVE.

And the prize goes to…

Hope you are all idling away the hours reading and relaxing, and not back to the daily grind just yet.In the latest news to hand, a BIG congrats to Amy, who has won the book-hamper pack — 10 signed copies of great Australian books — for doing a review of just_a_girl on amazon.com.au.

Thanks to all who posted reviews, and here is Amy’s take on the book:

I read ‘just_a_girl’ within the first week after publication. I loved it. Layla’s voice is one of the most authentic teenage narrators I’ve ever met in fiction, and being a PhD candidate studying YA fiction, I have read A LOT of teenage narrators in the last two years. I understood Layla and believed her and I wanted to protect her (haha) but at the same time enjoyed following her through her experiences as she navigated teenage life. Her mother Margot’s narration was interesting and a nice contrast too … Tadashi’s narration, though seemingly disconnected from L and M’s lives, provided some nice, complementary commentary about the nature of femininity. For me, the novel (at times) seamlessly blurred the lines between reality and fantasy; the real and imagined lives of three different people.

As a long-time YA fan, I studied YA for my Honours thesis a few years ago, looking at subverting the conventions of YA and moving beyond censorship. The best thing about Kirsten’s novel was the honesty created by Layla’s voice. She told the truth about teenage life; no sugar-coating or self-censorship! We need more of these voices in fiction with young narrators and I truly believe Kirsten has tapped into some new territory here, crossing over between adult, YA and possibly even New Adult fiction. Amy x

Thanks, Amy, for the insightful review, and I like how it’s placed within the context of adult/YA novels in general. I look forward to reading the PhD…

Narrow Road to the Deep North
Richard Flanagan’s book: yep, it’s sensational.

With the sweltering days hazy around me with smoke, and red-blood moons, I’ve been hiding in my airconditioned rooms and trying not to look at the CFA app every two seconds. I’m busy editing Newswrite, writing for ABC Arts online, seeking funding/grants for my next book, and deciding which authors to read next in 2014. I’ve also been invited to the 2014 Victorian Premier’s Awards shindig, so if anyone is there who reads the blog, let me know, and we can match voices to faces.

Over the hols I’ve been reading Richard Flanagan’s The Narrow Road to the Deep North and agree with many commentators that it is sublime. I’ve always liked his books — but this novel is faultless and mesmerising; the best book I’ve read in years. I’ve also just finished The Life and Loves of Lena Gaunt, an impressive debut (from Friday Night Fictions) and I’ll be interviewing author Tracy Farr in upcoming weeks.

What have you been reading over the holidays? Anything stand out?

All I want for Christmas is…

Fancy a Sylvia Plath doll for Christmas?
Fancy a Sylvia Plath doll for Christmas?

I’m one of those people who is easy (some would say dull) to buy for. Every year, when my family asks what I want, I usually say books, books, books, magazine subscriptions or notebooks to write in. God, how I love touching and feeling notebooks. And there’s a Moleskin now that links up to Evernote so you can scan in your notes. Wow! I know this is starting to sound like a sponsored post, but I can’t help it if I’m a bit passionate.

I’ve also just been mouth-watering over Allison Tait’s list of gifts for writers (Ernest Hemingway or Sylvia Plath doll, anyone?).

What I like most of all is getting book vouchers so I can wander through indie stores like Gleebooks (Sydney) or Stoneman’s (Castlemaine) or Readings (Carlton) and just browse and choose randomly, usually going purely on design (yup I like doing that).

In the past year, though, I’ve been more and more seduced by the Kindle. Covered in soft leather, I can read it lying on my side in bed (my favourite position). The idea that it holds instant access to not just worlds, but whole solar systems of material, still blows my mind. I need a book right now, and I have it. Great for lazy, procrastinating types. I also prefer it for books to do with work. The highlights and notes function is incredibly useful for reviewing and analytical work, and very quick to jump around and trigger memories and ideas – and I’ve never been comfortable with writing in pencil directly in books; I like the pages designed and clean.

Which leads me to my book-hamper competition in a roundabout way. Just a quick reminder! If you are a fan of any of the following Australian writers — Jon Bauer, Simmone Howell, Walter Mason, Jo Case, Dawn Barker, Jenn J McLeod, Jessie Cole, Annabel Smith, Wendy James or Angela Meyer (first edited collection!) — there’s a chance to win autographed copies of all ten books!

All you need to do is write a little review of my novel, just_a_girl! If you’ve read it, just hop to amazon.com.au and pen a few lines here.

If you haven’t … the book is also available to download for under 10 buckeroos at the same place or you could offer it to someone you love for Xmas (parent of a teenage girl, perhaps!).

All authors really love reviews of their work, and the Amazon.com.au site is pretty new so would love some commentary there. Just see it as a gift to me:-)

I’ve also decided to extend the date of the competition to 15 January. Gives you a bit more time to read just_a_girl in wind-down time…

Which leads me to pressie time. All the books in my Xmas hamper have been carefully selected and fawned upon over the past year. I’ve been thinking about who I might give them to in my inner circle (see below). I’ve linked to their Kindle editions if you’d like to buy them too. They won’t be signed, but, so you can still enter the competition.

Walter Mason, Destination CambodiaJo Case, Boomer and MeWendy James, The MistakeDarkness on the Edge of TownFracturedThe Great UnknownJon Bauer, Rocks in the BellyGirl DefectiveAnnabel Smith, Whisky, Charlie, FoxtrotJenn J Mcleod, House for all Seasons

  • Jon Bauer‘s Rocks in the Belly  would go to my Mum. I’ve been raving about it since I first read it, and then he moved to Chewton and joined the writers’ group I’m in. I was a bit scared of him at first (read the book and you’ll get it). But, seriously, it’s a tense and brutal drama, and Mum would enjoy the edginess of it, and the strong characterisation.
  • Simmone Howell‘s Girl Defectiv would go to my mate, Klare. The seedy side of St Kilda. A record store on the verge of collapse. And a strong teen girl lead. She would love it. Simmone is also in my writers’ group and is one of the most dynamic authors I’ve come across in recent years. So witty and her characters have such unique voices.
  • Walter Mason‘s Destination Cambodia would go to my friend Jane, who I met on an Intrepid trip to Cambodia. The journey was characterised by hilarity and pathos, and Walter’s book captures the intricacies of the place well. Jane is always on an adventure somewhere and has just returned from trekking in Nepal *jealous*.
  • Jo Case‘s Boomer and Me would go to a fellow mum and friend I’ve made in Castlemaine, Karen. We have talked often about what it means to be a ‘good mum’ and what a relief it is to read a book by a mother, finally, who doesn’t pretend to be perfect and jolly hockeysticks and a domestic goddess. I mean, we can’t all be Nigella (although I’ve heard she has some ‘help’ anyway).
  • Dawn Barker‘s Fractured would go to my mother-in-law. I think she would enjoy the fast pace, the cool structure and the piercing narrative that makes you question all your assumptions about motherhood…and it’s scary in places; she likes thrills.
  • Jenn J McLeod‘s House for All Seasons would go to my Nanna. She is a big reader, likes drama and intertwining lives, along with strong female characters and a good dose of mystery. Whenever I visit Nanna, she has the week’s TV viewing circled into the wee hours of the morning, nearly all crime and suspense. I usually head off for my nanna nap at 9pm and leave her to be a night owl.
  • Jessie Cole‘s Darkness on the Edge of Town would go to my boss, Julia. I’m cheating a bit here because she has already read and raved about it. So I know she likes it! When staff at the NSW Writers’ Centre were asked to pick their favourite reads for 2013, Jessie’s debut novel came out on top.
  • Annabel Smith‘s Whisky Charlie Foxtrot would go to my sister in law. The book is cerebral, sensitive, pared back and unconventional (just like her). Annabel Smith is my great find of the year. As I’ve said often to anyone who will listen, she should be on the world stage, people! Soon she’ll be mentioned in the same para as Christos.
  • Wendy JamesThe Mistake would go to my best friend, Jill. Like Fractured, it’s a thriller that manages to straddle the literary and popular worlds. It teases the reader with its ‘suburban noir’, a dark underbelly of the domestic.
  • And finally, Angela Meyer‘s brilliant new edited collection, The Great Unknown, would go to my husband. With its short stories capturing the fantastical, macabre and absurd, he’d be able to dip in and out (while working on his laptop, checking his iPhone and looking at films on his iPad at the same time).

WHAT ABOUT YOU? WHAT BOOKS WOULD YOU LIKE TO RECEIVE THIS CHRISTMAS?

Dawn Barker: I’ll show you mine if you show me yours

Dawn Barker, author of Fractured
Dawn Barker, author of Fractured

In the past couple of months, I’ve started a new series — where I review someone’s book, and they review mine — and we put them up at the same time. My idea was for it to be a kind of ‘two of us’ of books/authors, where we find the connections between our work — and our lives. The first wonderful exchange was with Walter Mason (I reviewed  Destination Cambodia: Adventures in the kingdom and he took a squiz at just_a_girl).

This time, I take on Dawn Barker’s popular debut novel, Fractured.

Just from the outset, this review is going to have *Spoilers*. There is so much exciting plot happening in Dawn’s book that I don’t want to pussyfoot around it…

I recently became familiar with Dawn Barker’s work, as part of a posse of writers in WA  (Annabel Smith, Amanda Curtin, Natasha Lester, Emma Chapman, Sara Foster, to name a few) and her book featured in Friday Night Fictions (August issue). Fractured also often featured in the Australian Women Writers Challenge, where it was a hot favourite with reviewers, and Annabel Smith did an in-depth interview with Dawn.

Reading Fractured brought up all kinds of memories. Nothing prepared me for the emotional and physical onslaught of having children. Pregnancy was tough. I spent the first three months pretty much unable to stand up due to so-called ‘morning sickness’ (god, that term doesn’t do it justice) — twice! Before the second pregnancy, I engaged in some heavy-duty magical thinking and decided that if I just wished hard enough, I surely couldn’t get that sick the next time. It was worse!

I learnt the true meaning of the term ‘shit a brick’ (constipation, OMG!) and then, just as I was starting to enjoy putting on copious amounts of weight and eating carrot cake every day, I found out I had gestational diabetes, which put me on a strict and boring regime of no sweets, rice, pasta, and involved injecting myself in my wiggly stomach each night.

After I gave birth (lucky for me, quick and straightforward: knew those dancing hips were going to come in handy at some point), I had the pinks the first time. I was joyous (verging on manic I suspect). The second time, I got the blues. I thought it would be easy peasy the second time around. No troubles with breastfeeding. Relaxed. Settling and swaddling a cinch. But no. GG decided she would not sleep unless in my arms (or my husband’s). For the first three months, due to various people pleading with us not to lie in bed with her, my husband and I alternated nights of trying to sleep half-sitting up on the couch. For the first three months, I never got more than two straight hours sleep.

I fought the definition of postnatal depression at the time because I thought ANYONE would go nuts having to endure that kind of sleep deprivation for so long (this is not to dismiss the idea of postnatal depression as a serious issue, though, for many women). It got to the point that, even when I had the chance to sleep, I just couldn’t seem to work out how.

FracturedWhich brings me to Anna, the central character in Fractured. Anna doesn’t sleep either. The world leading up to getting pregnant and giving birth is shown to be one of illusion, of unrealistic expectations. Highly organised, nothing seems to go to her often rigid plan. Her birth plan is ignored. Her feelings for her baby are not the way she had hoped.

She feels isolated and cornered, unable to communicate with her husband, Tony. He leaves the house to go back to work pretty soon after she returns from hospital, not understanding that she is afraid, anxious, and on the verge. She doesn’t have the language to ask him to stay. Or to ask him (or anyone) to help. The amount of responsibility she takes on completely destroys her.

And on top of that, the reader gradually learns that Anna is contending with something equally serious. She is starting to hear voices, urging her on an increasingly paranoid and soul-destroying route. Her son is not yet six weeks old. But she cannot protect him from her thoughts.

I was familiar with postnatal depression but had never heard of postnatal psychosis. Dawn Barker is also a child psychiatrist so her insight into this condition (and Anna’s character development) is crucial. The book also takes us into some disturbing contemporary hospital practices, including giving Anna ECT without her permission — in a very short timeframe (when she’s in no position to contest the decision). The idea that this is possible, that a patient’s rights are systematically stripped when they enter hospital for care, is terrifying.

The book’s clever structure, that interweaves chronology, and various characters’ stories, means Fractured takes a while to reveal important moments, and there’s a real sense of doom and mystery surrounding Anna’s uncharacteristic behaviour. It’s a cliffhanger of a book, in every sense of the term.

It’s also a book about blame. Certain family members are quick to withdraw from Anna, unable to reconcile her actions with their definitions of acceptable boundaries to cross. Tony wrings himself dry, wondering at his own absence, his selfishness, his culpability in the desire to escape family for work.

Self-blame can be the most poisonous thing of all. Anna condemns herself for not living up to her own ideas of what a ‘perfect mother’ should be. In just_a_girl Margot, Layla’s mother, shares this black-and-white way of looking at the world. When looking at Layla, she sees her own failings reflected, rather than a child who deeply loves her and is desperately seeking her attention. By continuing with her blinkered thinking from when Layla is a baby, Margot misses out on all the good things, unable to see beyond her own limited view.

Lionel Shriver's We Need to Talk About Kevin was a big influence on Dawn Barker's novel
Lionel Shriver’s We Need to Talk About Kevin was a big influence on Dawn Barker’s novel

I was excited to read that one of the main influences for Dawn when writing her novel was Lionel Shriver’s We Need to Talk About Kevin. It taught her that a mainstream novel could take on highly emotive and harrowing topics. I read it when writing just_a_girl and found it changed my whole idea of character too. I realised that Margot didn’t have to be likeable but her way of thinking needed to be believable (if misguided). The way she perceives Layla is, from early stages of motherhood, influenced by the fact that she can’t breastfeed, she feels guilty, she is i
solated in the community, her husband is often away working, and her mother was no role model at all. She crucifies herself rather than acknowledging that it’s damn hard.

It’s also good to get a husband’s insight in Fractured. Dawn’s third-person narrative means she can fly in and out of all the characters’ lives, exposing their dreams and perceived failings. I can only imagine how hard it is, too, for the significant other like Tony who get no sleep, haul themselves off to work, feeling guilty at the sight of mum looking so exhausted and fragile (but hey, the experience is not like this for everyone, I hope!). I remember my husband leaving our house for his first day of work after my second child (at six weeks), and pleading with him to stay. Still operating on no sleep, I breastfed my daughter in tears for an hour, as my two-year-old son ran rings around us, asking for all the things he knew I couldn’t provide with a baby latched on; I had no idea how I would get through the day, and all the ones after that. In the end I called my best friend and she turned up, all action-stations, made lunch, sat me outside, told me everyone felt like that (in a sympathetic way), and those feelings drifted off for a while and I saw that I just had to get through it a bit at a time.

The death of a child remains a taboo topic. It’s not something people want to contemplate, let alone talk about. But this book opens up the subject for debate. The reader is constantly being forced to confront their own questions of morality, wavering backwards and forwards, and it’s a mark of Dawn’s skill as a writer that we can condemn and be sympathetic to Anna at the same time, asking: at just what point, is she ultimately responsible for her own behaviour?

You can read Dawn Barker’s review of just_a_girl here. I’m very curious to see what a child psychiatrist thinks of Layla!

If you’ve read Fractured, I’d love to hear your thoughts. Were you familiar with postnatal psychosis? Any other novels dealing with this issue, or postnatal depression? If you’d like to ask Dawn any questions, fire away! I’m sure she’d be keen to answer them.

just_a_girl Christmas competition: win a book-hamper

FracturedI thought I’d get in the Christmas spirit and hold a little competition …

So … I have a prize pack on offer of 10 BOOKS from some of the fabulous writers who’ve shared their stories on Wild Colonial Girl over the past year. The winning Christmas book-hamper features SIGNED copies of:

  • Simmone Howell – Girl Defective
  • Walter Mason – Destination Cambodia
  • Jon Bauer – Rocks in the Belly
  • Jenn J McLeod – House for all Seasons
  • Jessie Cole – Darkness On the Edge of Town
  • Annabel Smith – Whisky, Charlie, Foxtrot
  • Dawn Barker – Fractured
  • Angela Meyer (editor) – The Great Unknown collection
  • Jo Case – Boomer and Me
  • Wendy James – The Mistake

TO WIN?

My novel, just_a_girl, has just been listed as an e-book at Amazon.com.au and it’s looking a wee bit lonely.

Simply write a review (2 words, 2 sentences, 2 paras, a thesis – I don’t mind) and put it on Amazon here by 31 December (gives you a bit of time to do some holiday reading).

I’ll be choosing the winner (most unique response) on 1 January, and will announce it on the blog early in the New Year when I’ve recovered from staying up to 9pm to watch the fireworks (it’s never the same after you have kids).

I’ll also feature some of the reviews I love on Wild Colonial Girl next year.

THE BOOK-HAMPER: here’s a spotlight on the books you might win

Simmone Howell, Girl Defective

Girl Defective“It was just Dad and me and Gully living in the flat above the shop in Blessington Street, St Kilda. We, the Martin family, were like inverse superheroes, marked by our defects. Dad was addicted to beer and bootlegs. Gully had ‘social difficulties’ that manifested in his wearing a pig-snout mask 24/7. I was surface clean but underneath a weird hormonal stew was simmering. My defects weren’t the kind you could see just from looking. Later I would decide they were symptoms of Nancy.”

This is the story of a wild girl and a ghost girl; a boy who knew nothing and a boy who thought he knew everything. And it’s about life and death and grief and romance.

All the good stuff.

From the award-winning author of Notes from the Teenage Underground, and Everything Beautiful.

Walter Mason, Destination Cambodia

Walter Mason, Destination CambodiaThe ancient and mysterious ruins of Cambodia have long captured the imagination of visitors, more so now than ever before. In Destination Cambodia, Walter Mason charts an affectionate, intimate and deeply personal look at a Kingdom that has drawn him back again and again since his youth.

Whether he’s watching young monks recite the Buddha’s life stories, visiting shamans and fortune tellers, or discovering the darker alleys of Phnom Penh with a romantic novelist and a world-weary street hustler, Walter takes the reader straight to the heart of this famously unknowable country. As heat, dust and weariness take their toll, he remains alive to the charms, and even seductions, of a place that was once a byword for misery and human suffering.

Destination Cambodia takes us on a joyful and constantly fascinating literary journey in which Cambodia is vibrant and its people excited about the future while never denying their haunted past.

Jon Bauer, Rocks in the Belly

Jon Bauer, Rocks in the BellyHow far can you push a child?

Rocks in the Belly follows a precocious eight-year-old boy and the volatile adult he becomes. During childhood his mother fosters boys despite the jealous turmoil it arouses in her son. Jealousy that reaches unmanageable proportions when she fosters Robert, and triggers an event that profoundly changes everyone. Especially Robert.

At twenty-eight the son returns to face his mother. He hasn’t forgiven her for what happened. But now she’s the dependent one and he the dominant.

Jenn J McLeod, House for All Seasons

Jenn J Mcleod, House for all SeasonsBequeathed a century-old house, four estranged friends return to their home town, Calingarry Crossing, where each must stay for a season to fulfil the wishes of their beloved benefactor, Gypsy. Here they finally face the consequences of the tragic accident that occurred twenty years ago and changed their lives forever.

Sara, a breast cancer survivor afraid to fall in love;

Poppy, an ambitious journo craving her father’s approval;

Amber, a spoilt socialite looking for some purpose to life.

Jessie Cole, Darkness On the Edge of Town

Darkness on the Edge of TownMy dad, he collects broken things … Where other people see junk he sees potential … My dad collects broken people too …

Vincent is nearly forty years old, with little to show for his life except his precious sixteen-year-old daughter, Gemma: sensitive, insightful and wise beyond her years.

When a stranger crashes her car outside Vincent and Gemma′s bush home, their lives take a dramatic turn. In an effort to help the stranded woman, father and daughter are drawn into a world of unexpected and life-changing consequences.

DARKNESS ON THE EDGE OF TOWN is a haunting tale that beguiles the reader with its deceptively simple prose, its gripping and unrelenting tensions, and its disturbing yet tender observations.

Annabel Smith, Whisky, Charlie, Foxtrot

Annabel Smith, Whisky, Charlie, FoxtrotWhisky and Charlie are identical twins. But everything about them is poles apart. It’s got so bad that Charlie can’t even bear to talk to his brother anymore – until a freak accident steals Whisky from his family, and Charlie has to face the fact he may never speak to his brother again.

‘It is rare to encounter fiction that will appeal to adults and Young Adults alike that so intelligently explores the downright messiness of family relationships through adult characters; rarer still to find an author who writes of traumatic injury and the looming shadow of death with such verve and sensitivity.’ Australian Book Review

‘… by far the enduring sense of this novel is of having been in the hands of a storyteller with more than just a good story, one with something to say about how to live, and the energy and pluck to say it.’ The Australian

Dawn Barker, Fractured

FracturedAn unforgettable novel that brings to life a new mother’s worst fears.

Tony is worried. His wife, Anna, isn’t coping with their newborn. Anna had wanted a child so badly and, when Jack was born, they were both so happy. They’d come home from the hospital a family. Was it really only six weeks ago?

But Anna hasn’t been herself since. One moment she’s crying, the next she seems almost too positive. It must be normal with a baby, Tony thought; she’s just adjusting. He had been busy at work. It would sort itself out. But now Anna and Jack are missing. And Tony realises that something is really wrong…

What happens to this family will break your heart and leave you breathless.

Angela Meyer (editor), The Great Unknown

The Great UnknownThe imaginative stories in The Great Unknown take inspiration from vintage American TV programs such as The Twilight Zone and The Outer Limits—and their contemporaries and successors—paying tribute to the cultural influence these shows have had on lives ‘down under’.

Episodes of these programs were often metaphors for equality, justice, the nuclear threat and other issues, while being memorably spooky and fun. Editor Angela Meyer wanted to see what themes might seep into the writing of contemporary Australian writers working with the spooky, the strange, the eerie, the fantastic, the speculative, the macabre and the absurd.

Jo Case, Boomer and Me: a memoir of motherhood, and Asperger’s

Jo Case, Boomer and MeLeo is having trouble fitting in. Whether it’s pulling his pants down in the schoolyard or compulsively saluting Mazdas because the company sponsors his football team, Leo can never seem to say or do the right thing. And Jo is struggling to help him find his place as she juggles work and the ordinary demands of motherhood. But her beloved only child has been reading novels since he started school, amazes strangers with his encyclopaedic knowledge of sport statistics, and displays a wit sharp beyond his years – could he be gifted? In fact, it turns out Leo has Asperger’s Syndrome.

This is the bittersweet, blackly funny story of a boy and his very twenty-first-century family, and why being different isn’t a disability – it just takes a bit of getting used to.

Wendy James, The Mistake

Wendy James, The MistakeThe past isn’t dead. It isn’t even past …

Jodie Garrow is a teenager from the wrong side of the tracks when she falls pregnant. Scared, alone and desperate to make something of her life, she makes the decision to adopt out her baby – and tells nobody.

Twenty-five years on, Jodie has built a whole new life and a whole new family. But when a chance meeting brings the illegal adoption to the notice of the authorities, Jodie becomes embroiled in a nationwide police investigation for the missing child, and the centre of a media witch hunt.

Friday Night Fictions: November 2013

Howdy again, and hope you enjoy the final edition of FRIDAY NIGHT FICTIONS for the year*. This NOVEMBER issue, we’ve got high-pumping action, a fair smattering of YA, short stories galore and literary fiction to blow your mind. I love the mix that comes in each month…

I also did a recent debut author profile of Mr September, Michael Adams, about his genre-bending novel, The Last Girl (that slips between YA and lit fiction). Coming up soon is Tracy Farr  (whose Life and Loves of Lena Gaunt featured in the OCTOBER edition).

AND my pick of the month this time is Laura Jean McKay’s Holiday in Cambodia. I’ve heard great things about this debut, and it continues a Cambodia thread that I seem to be following… I look forward to talking to Laura Jean and finding out more about her book.

I’m really excited to hear what all the FRIDAY NIGHT FICTIONS authors have been up to. Many are getting coverage on blogs and in mainstream newspapers. A big thanks to the writers who have started commenting on, and writing about, other writers’ work. I’ll be posting reviews and comments as they come in.

Sharon Kernot has done a wonderful review of Margaret Merrilees’ The First Week (see the Reviews section at the bottom of the OCTOBER edition). Even now, with a few reviews under my belt, I know how exciting it is to see someone engage in a meaningful way with the book (and finding out another writer’s views can be especially stimulating!).

If you’re new to FRIDAY NIGHT FICTIONS, you can find out more here, read the AUGUST, SEPTEMBER and OCTOBER editions + read my author profile of Nina Smith (Hailstone).

If you’re a debut author who’s been published in 2013 (or 2014 as it comes), and would like to contribute, read the guidelines and contact me.

*FNF will take a few months’ break (I’m hoping to spend a bit more time offline) but will be back at the end of February. Have a great Christmas and New Year, relax, read, and write (if that’s what you’re planning)…

SCOTT BAKER, The Rule of Knowledge

Scott Baker, The Rule O fKnowledge Faith, history, science and love collide in this fast-paced action adventure. High school teacher Shaun Strickland is shocked when he receives a last-minute invitation from Cambridge University to deliver a paper on the relationship between space and time, something he has been studying for years. It’s the break he’s been longing for.

But as he speeds through the cold Carolina night, his car slams hard into something surging from the bushes; an old and tattered hobo, carrying an ancient package whose mystery is irresistible. But there is something else, a book, sealed airtight for millennia, written in modern English, and predicting the exact moment it will be found.

Relentlessly pursued, Shaun must immerse himself in an ancient world to uncover something bigger than he could have possibly imagined.

What he finds is that much more than his own fate is at stake…

‘Indiana Jones’ meets ‘Back to the Future.’

In stores now. Buy the book online.

KASPER BEAUMONT, Elven Jewel

Kasper Beaumont, Elven JewelThis sword and sorcery fantasy begins when the magical continent of Reloria is threatened by cruel, scaly invaders called Vergai from the wastelands of Vergash. These invaders are barbaric and are intent on destroying the protective elven forcefield and conquering peaceful Reloria.

Halfling friends Randir and Fendi and their bond-fairies are the first to discover the invaders and they embark on a quest to save the threatened Elven Jewel.

They leave their peaceful farm village with their fairies and race against time to stop the invaders. They join forces with dwarves, elves, men and a mysterious dragon, and call themselves the Hunters of Reloria.

The quest is perilous, with numerous encounters with the ruthless Vergai. The Elven Jewel is stolen and the quest becomes a race to the portal to retrieve the jewel before it can be taken to Vergash.

Online extract and YouTube clip.

Buy the book at Smashwords, Amazon.com and Writersweb.com.au.

FELICITY CASTAGNA, The Incredible Here and Now

Felicity Castagna, The Incredible Here And NowSomething terrible happens the summer Michael turns 15.

But The Incredible Here and Now is not about tragedy. It is about his place, the West, where ‘those who don’t know any better drive through the neighbourhood and lock their car doors’.

But Michael knows it intimately and lets the reader in: to the unsettled life of his family, the friends who gather in the McDonald’s car park at night, the one girl who will acknowledge he’s alive, the white Pontiac Trans Am that lights up his life like an omen.

It is here that he finds an escape from his mother’s growing silence and the absence of his brother Dom, who could charm the whole world with his energy and daring.

Michael’s stories are about love and joy and wonder, felt in the company of friends, and in the place he lives in.

Read an extract from the text.

Buy the book.

Meet Felicity at her website and on Twitter.

ELIZA CREWE, Cracked

Eliza Crewe, CrackedAt 17, Meda Melange is already an experienced serial killer. It’s not her fault, she doesn’t do it because she likes it (though she does). Meda eats souls, and there’s really only one place to get them — and it’s not the Piggly Wiggly. Then Meda learns she’s not the only soul-eater, she’s part demon, and the other demons are out to get her.

Fortunately, Meda finds the perfect place to hide — in a school for demon-hunters. The modern Knights Templar are dedicated to fighting demons and protecting Beacons, people marked by God as good for mankind. Because the demons are determined to kill her, the Templars are convinced Meda is a Beacon trying to fulfill her destiny.

Meda’s goals are far less saintly. She just wants to find out why the demons are out to get her and, well, that’s easier to do with back-up — even if her back-up would kill her if they knew the truth.

Meet Eliza at her Website + Twitter.

Buy the book:
Worldwide (except India): The Robot Reader (E-book).
AU: Booktopia + Readings.
UK: Amazon + Book Depository  + Waterstones.
US: Amazon  + Barnes and Noble + Indiebound + Powell’s.
Canada: Amazon + Chapters + Kobo.

LESLEY DIMMOCK, Out of Time

Lesley Dimmock, Out Of TimeLife is about to get really complicated for Lindsay ap Rhys ap Gruffud as Queen Elizabeth the First lands in her garden.

Not only does Lindsay have to try and find a way to get Elizabeth back to her own time …

… but she also needs to avoid the thing she dreads most — falling in love — as Lindsay’s best mate, Meg, enlists librarian, Kate Spencer on the quest to send Elizabeth home before a sixteenth century plot to seize the throne can succeed.

Time is running out … for Elizabeth I and Lindsay ap Rhys ap Gruffud

Read an excerpt.

Buy the ebook at Amazon,  iTunes and Lulu.

Meet Lesley on Facebook  and Twitter, and at her blog.

NICOLE HAYES, The Whole of My World

Nicole Hayes, The Whole Of My WorldDesperate to escape her grieving father and harbouring her own terrible secret, Shelley disappears into the intoxicating world of Aussie Rules football. Joining a motley crew of footy tragics — and, best of all, making friends with one of the star players — Shelley finds somewhere to belong. Finally she’s winning.

So why don’t her friends get it? Josh, who she’s known all her life, but who she can barely look at anymore because of the memories of that fateful day. Tara, whose cold silences Shelley can’t understand. Everyone thinks there’s something more going on between Shelley and Mick. But there isn’t — is there?

When the whole of your world is football, sometimes life gets lost between goals.

“A poignant coming-of-age tale with a fresh, original angle. No matter what your feelings are about AFL, this novel is bound to have you cheering by the end.” – Junior Books + Publisher

Buy the book at bookshops, at Random House, Booktopia and Bookworld, as an e-book at all the major outlets in Australia, and in the USA and the UK, where you can also buy the paperback.

Read the first chapter here. Find Teachers’ Notes at the Random House Website and an interview at Hypable.

Like The Whole of My World on Facebook and visit Nicole’s website for more information. Or follow her on Twitter @nichmelbourne.

AMANDA HICKIE, AfterZoe

Amanda Hickie, AfterZoeZoe’s not completely happy with the way her life has turned out but she’s even less impressed with her death.

She is blindsided by an afterlife of perpetual contentment arranged by paternalistic angels. Most of heaven’s population enjoy their eternity with the aid of an elixir which ensures they forget their loved ones, but Zoe doesn’t want to forget.

She joins an underground resistance group and starts to explore the might-have-beens with an old lover.

Zoe’s insistence on her right to absolute memory becomes more complex when her husband shows up.

This alternative heaven explores the nature of relationships, the possibility of identity without memory and what it would take to be happy for eternity.

The book is available in paperback and on Kindle, Smashwords, Kobo, iBooks and others.

Find out more and read an extract here.

JANIS HILL, Bonnie’s Story: A Blonde’s Guide to Mathematics

Bonnies StoryA Young Adult/New Adult chick lit tale told by Bonnie, a smart self-imposed blonde hairdresser with an attitude and cynical outlook on the life of science she grew up in.

The first time I met Rogan, he was wandering down my street taking pictures of the street signs with his phone.

His name wasn’t really Rogan, it was Josh, but due to the crowd he hung around with and the quirky sense of humour science geek types have, he’d become Rogan Josh. Rogan for short.

Still, this wasn’t something I learned until a lot later.

Since meeting him, I’ve not just learnt this little soliloquy; I’ve visited the Moon, watched life begin, and discovered the true depth of mathematics. I can tell you now; maths really isn’t as boring as you’d have thought.

Click here to read the full sample and for details on how to purchase the book.

HEATHER KINNANE, A Faery Dream

Heather Kinnane, A Faery DreamEver had a dream you wished would come true?

Melissa is blessed, or cursed as she most often feels is the case, with the ability to dream true; an ability she knows was passed down from the mother she never met.

Now in her 30s, and plodding along in her failing relationship with Tom, Melissa is having dreams she wishes were prophetic.

Tall, strong and sexy Kellen lives in the forest, clad usually in nothing but a loin cloth. Though he makes her heart flutter, and is the man of her dreams in more ways than one, Melissa knows this dream is too far from reality to ever come true.

So when Kellen does turn up in Melissa’s life, with secrets from her past and plans for her future, can Melissa trust that this dream isn’t too good to be true?

Buy the book.

Read an excerpt.

KIRSTEN KRAUTH, just_a_girl

Kirsten Krauth, just_a_girlLayla is only 14. She cruises online. She catches trains to meet strangers. Her mother, Margot, never suspects. Even when Layla brings a man into their home.

Margot’s caught in her own web: an evangelical church and a charismatic pastor. Meanwhile, downtown, a man opens a suitcase and tenderly places his young lover inside.

just_a_girl tears into the fabric of contemporary culture, a Puberty Blues for the digital age, a Lolita with a webcam, it’s what happens when young girls are forced to grow up too fast. Or never get the chance to grow up at all.

““Krauth’s debut is alive with ideas about isolation and connection in the digital age, particularly the way the internet raises the stakes of teenage rebellion.” – Jo Case, The Australian

“It’s about porn/love, isolation/connection, sexualisation/justification, misogyny/mentality, Facebook and the face-to-face. It’s about our world, right now, and it’s a little bit brilliant.” – Danielle Binks, ALPHA READER.

Read an extractBook Club Notes are available.

Buy the printed version at ReadingsBooktopia or Amazon. The ebook is available at Amazon.com.au and iBooks.

International readers please contact me direct…

See reviews of just_a_girl here.

Contact Kirsten at Goodreads, her blog (Wild Colonial Girl), Facebook and Twitter. You can see her read from her work at the Sydney book launch, along with Emily Maguire (who introduced it).

LAURA JEAN McKAY, Holiday in Cambodia

Laura Jean McKay, Holiday In CambodiaBeyond the killing fields and the temples of Angkor is Cambodia: a country with a genocidal past and a wide, open smile. A frontier land where anything is possible — at least for the tourists.

In Holiday in Cambodia Laura Jean McKay explores the electric zone where local and foreign lives meet. There are tender, funny moments of tentative understanding, as well as devastating re-imaginings of a troubled history.

Three backpackers board a train, ignoring the danger signs — and find themselves in the hands of the Khmer Rouge.

Elderly sisters are visited by their vampire niece from Australia and set out to cure her.

A singer creates a sensation in swinging 1969, on the eve of an American bombing campaign.

These are bold and haunting stories by a remarkable new talent.

“Polished, Hemingwayesque snapshots, vivid and atmospheric” – Steven Carroll

“Subtly encompassing — these unostentatiously wrought stories look at the residual effects on their characters of the low, persistent fallout of catastrophe.” – James Tierney, The Australian

Buy the book.

Read an extract.

Read reviews in The AustralianCrikey and Artshub.

GERALDINE MEADE, Flick

Geraldine Meade, FlickFelicity Costello, aka Flick, is like any other 16-year-old — except for one difference. A difference she doesn’t want anyone to know about. A difference she hardly admits to herself.

Flick tells the story of a girl struggling with the secret of her sexuality and who goes to great lengths to hide the fact that she’s a lesbian.

In her efforts to conform to what she and her peers think is ‘normal’ Flick’s life spirals out of control until she sees no escape.

Will Flick succumb to the darkness? Or will she find the courage to realise that you can’t help who you fall in love with?

“Flick is the sort of book I wish I could have read in my teens. It never talks down to the reader but still manages to shine a light on some of the darkest and most confusing moments of becoming an adult.” – Graham Norton

Shortlisted for The Reading Association of Ireland’s Children’s Book Awards 2013.

Read an extract of Flick.

Order Flick here.

Buy e-book or paperback here too!

Follow Ger on Twitter or on Facebook.

Meet Ger at her website.

SKYE MELKI-WEGNER, Chasing the Valley

Chasing The ValleyEscape is impossible. Escape is their only hope.

Danika is used to struggling for survival. But when the tyrannous king launches an attack to punish her city — echoing the alchemy bombs that killed Danika’s family — she risks her life in a daring escape over the city’s walls.

Danika joins a crew of desperate refugees who seek Magnetic Valley, a legendary safe haven. But when she accidentally destroys a palace biplane, suddenly Danika Glynn becomes the most wanted fugitive in Taladia.

Pursued by the king’s vicious hunters and betrayed by false allies, Danika also grapples with her burgeoning magical abilities. And when she meets the mysterious Lukas, she must balance her feelings against her crew’s safety.

Chasing the Valley is the first book in an epic trilogy of magic, treachery and survival.

Buy the book at Random House.

Read an extract.

Watch the book trailer.

Get in touch with Skye at her website, Twitter and Facebook.

ANGELA MEYER (editor) AND WRITERS, The Great Unknown

The Great UnknownThe imaginative stories in The Great Unknown take inspiration from vintage American TV programs such as The Twilight Zone and The Outer Limits — and their contemporaries and successors — paying tribute to the cultural influence these shows have had on lives ‘down under’.

Episodes of these programs were often metaphors for equality, justice, the nuclear threat and other issues, while being memorably spooky and fun.

Editor Angela Meyer wanted to see what themes might seep into the writing of contemporary Australian writers working with the spooky, the strange, the eerie, the fantastic, the speculative, the macabre and the absurd.

Authors include Paddy O’Reilly, Ali Alizadeh, Chris Flynn, Carmel Bird, Ryan O’Neill, Marion Halligan, Krissy Kneen, AS Patric, Damon Young, Chris Somerville, PM Newton, Deborah Biancotti and Kathy Charles, and the winner of the Carmel Bird Short Fiction Award, Alex Cothren (with his first ever published story).

Find out more about the book at Goodreads and Facebook.

Available in December (and on pre-order) from Readings, Booktopia and Fishpond.

FELICITY VOLK, Lightning

Felicity Volk, LightningAmid the chaos of sweeping bushfires, Persia gives birth alone at home with tragic consequences. Traumatised and grieving, she travels north, and encounters Ahmed, a refugee fleeing deportation and his past in Pakistan.

So begins a road trip to the dead heart of Australia, a journey that transcends the limits of ordinary experience. In Persia and Ahmed’s world, ancient winds wreak havoc across generations, lightning ignites flames that both destroy and rejuvenate, and water drowns then delivers. Hearts break, days are leavened with loss, laughter kills and cinnamon preserves.

Lightning is an odyssey across continents and centuries that explores identity and connection, and our yearning to reveal ourselves even when cloaked in crippling grief.

A moving meditation on finding hope in the rubble of our lives, Lightning celebrates the way our stories and their telling keep us alive when all else is pulling us under.

Lightning can be found at most book retailers including Pan Macmillan, Booktopia, Bookworld and Amazon.

Read an extract.

Meet Felicity at her website and Facebook.

For reviews of Lightning see her website and, specifically, in The Weekend Australian. Read the story behind Lightning.