• just_a_girl by Kirsten Krauth

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    "… straddles YA and adult literary fiction in the same way as Tim Winton's Breath … Layla's is a unique voice. A beautifully told story.” — Cameron Raynes

  • Kirsten Krauth

    Novelist. Blogger. Editor. My first novel just_a_girl just published. I blog on all things literary and filmy at Wild Colonial Girl

    "just_a_girl is a complex and timely novel, the first book by a strong writer who is not afraid to go to honest, dark places." 
    — Angela Meyer, LiteraryMinded blog

Home / Archive by Category "Australian Women Writers"

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New Oz writing: for the Santa sack

Kirsten Krauth's list of top Oz writing 2015

Each year, I go to the bookstore during the Christmas rush and get overwhelmed. Then I head for the first table I see and buy the same names I did last year as gifts. But Tim Winton, Alex Miller, Bill Bryson, Jamie Oliver don’t need me any more. I asked some Oz writers about their favourite Oz reads from the past year. It was an impressive list. I’d like to share it with you, in the hope you’ll share it widely too. All these women writers have achieved remarkable things: to get published in the first place (it’s never been tougher); and to support each other and gain inspiration from reading other women’s work. I’d love to hear if you’ve read these books. If you’ve…

Looking beyond the labels: Tara Moss

Tara Moss' new memoir The Fictional Woman

At the recent Sydney Writers’ Festival, crime fiction writer Tara Moss appeared on a panel with Irvine Welsh and Damon Young, talking about writing the body. As she held her new memoir ‘The Fictional Woman’ up to the audience, I was drawn immediately to the cover, a close up of her face, with labels written on in black: Dumb Blonde mingling with Feminist, Model with Bleeding Heart. It started me thinking about the names I’ve been called, especially when I was a teenager, and how they’ve defined or ignored the essential parts of me – and how often they were contradictory, exposing the labels as fabrications. Here are some that people have aimed and fired at me (friends, bosses, family, boys yelling out of cars as they…

Bendigo Writers’ Festival: girls, grief, guts

Kirsten Krauth + Jenny Valentish, Radio National's Life Matters, Bendigo Writers Festival

On the radio oh oh The Bendigo Writers’ Festival kicked off with ABC Radio National’s live broadcast from the Banquet Room in the Capital theatre. Fellow Castlemaine writer, editor and troublemaker Jenny Valentish joined me to talk with Natasha Mitchell (Life Matters), Michael Cathcart (Books and Arts Daily) and Fiona Parker (ABC Central Victoria) about girls growing up too fast and what it’s like to be a regional writer. Both of us have ended up in Castlemaine via circuitous routes but she wins — Jenny’s from Slough, UK. (I vaguely remember The Office being set in Slough. Great claim to fame there.) Our novels Cherry Bomb and just_a_girl are quite eerie in their shared sensibility: teen girls moving through the world with irony, detachment and the desire for sexual conquest. You can listen to…

For good, not profit: Kirsten Alexander, editor, Open Field magazine

Issue 3 of Open Field is out now

I first came across Open Field magazine when I was browsing through literary apps on iTunes, looking for inspiration. A philanthropic exercise, the magazine is digital-only, sources articles and art from world-renowned authors and artists, and all funds from downloads go to charity. I spoke to editor Kirsten Alexander about starting a digital magazine. What gave you the inspiration to put together Open Field magazine? This is a shameful story, but the truth isn’t always flattering. In September 2010, The New Yorker released a tablet version of their magazine using Adobe software. That was a big deal. Wired magazine had released their tablet version in May 2010, but it was a tricked-up and complex object, one that required an interest not only in the content but…

Shyness is nice: the beauty of inarticulation

Shy is the first book by Sian Prior

At the recent Sydney Writers’ Festival, David Marr did a wonderfully incisive interview with Christos Tsiolkas, author of Dead Europe, The Slap and, most recently, Barracuda. Throughout the session, in response to Marr’s questions, Tsiolkas took many minutes to speak, occasionally with his head in his hands as if trying to squeeze out the answers. The loud silence filled the room. But when he finally was able to seize the words, his ideas were rich in detail, nuanced, worth waiting for. Marr quipped that ‘he writes loudly and speaks quietly’. As I waited patiently for Tsiolkas to frame himself, I realised how rare this was: the chance to see a writer composing, having the courage to be uncertain, to not reach for the quick answer,…

Tough love: Sally Piper & Annah Faulkner – Varuna/Sydney Writers’ Festival

Sally Piper + Annah Faulkner, Varuna/Sydney Writers' Festival. Photo: Bette Mifsud.

Annah Faulkner has the kind of eyes so sharp they seem to penetrate you to the bone. When talking about her novel The Beloved, you can imagine she is as gusty as the characters she speaks of. Sally Piper, a former nurse, has just released her debut novel Grace’s Table, and this is her first appearance at a festival. Annah talks about how love seems to have changed over the generations, how in the past love could be fierce, so fierce it was like fighting for survival. There can be a point for mothers where they want something so badly (for their child), they’re so fearful about what’s going to happen (to their child), that their love tips at a point into something else, into…

Here and Now: Felicity Castagna and me – Varuna/Sydney Writers’ Festival

Kirsten Krauth, Felicity Castagna + Irina Dunn, Varuna/Sydney Writers' Festival. Photo:

When you go up on a stage to talk about your book, the harsh spotlight and the mics and the intense concentration and the nerves means the event can fly past you even as you’re experiencing it. Something like smoking too much pot. I was going to dredge up my disconnected and whimsical memories but — thank God — I discovered Lisa Fleetwood’s Welcome to My Library blog, which covers it so much more eloquently than I could. She’s kindly agreed to do the work for me, and let me reproduce it here… HERE AND NOW: DEBUT FICTION AT THE VARUNA/SYDNEY WRITERS’ FESTIVAL: FELICITY CASTAGNA AND KIRSTEN KRAUTH BY LISA FLEETWOOD Wow, what a great start to the Sydney Writers’ Festival! I love the day up…

Friday Night Fictions: author profile Laura Jean Mckay

Laura Jean Mckay

I first came across Laura Jean McKay’s collection of short stories Holiday in Cambodia when I was researching new books set in the region, inspired by Walter Mason’s Destination Cambodia. After a brief trip there in 2005, it’s a country I have remained fascinated with. I wrote voraciously about it at the time (must fossick for that notebook!) and remember, at the end of each day travelling, being exhilarated and exhausted by the conflicting imagery — the gut-wrenching violence of the Killing Fields tour; the joy on the face of a girl as she gave me a tarantula to eat — and the sudden awareness of the richness of my life, in all senses of the word (see Laura’s reflections on this later). So I was thrilled when Laura sent…

Friday Night Fictions: February 2014

Welcome back to another year of Friday Night Fictions, for debut authors (novelists, short story writers) in all genres and formats (self-published and digital-only welcome!). Over the break, I did a wonderful interview with Tracy Farr, author of the lyrical and memorable The Life and Loves of Lena Gaunt. I also met a number of other writers featured here (at the Victorian Premiers Literary Awards, all pomp and ceremony) including Kate Belle (The Yearning, in the August edition) and Laura Jean McKay, who you will meet soon, talking about her short story collection, Holiday in Cambodia (November edition). This year I’ve decided to make FNF a three-monthly event, rather than monthly, and I hope it continues to grow in 2014 and recognise new talent. I’ve…

Debut author profile: Tracy Farr

Tracy Farr’s debut novel The Life and Loves of Lena Gaunt featured in the October soiree of Friday Night Fictions. Dame Lena Gaunt is in her 80s. She takes gentle doses of heroin, she swings between men and women as lovers and confidantes, she moves with the times via Perth, Sydney, various parts of Asia and New Zealand, all the while dreaming of her electrified passion: the theremin (see Clara Rockmore playing it). As Lena raises her fingers and moves her body, Farr’s lyrical and elegant prose places us in the picture — an audience for memories and music — as Lena negotiates a documentary crew keen to capture a look-back at her life. The idea of documentary sets up a dynamic tension between what Lena…